Abstract
In the present inquiry I explicate through a Feminist lens, curious and often amusing metamorphoses of Judith's integrity and complexity as a female hero in Israel as they are expressed in opera and oratorio. Within the purview of these genres the integrity of the apocryphal Judith's characterization is variously maintained, elaborated, ignored, transferred to other characters, transformed, or obliterated by librettists and animateurs. Diverse methodological perspectives inform observations pertinent to librettos, music, mise en scene and aspects of characterization as they are animated in the artistic process/product and transmitted via their critics in the media.
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