Abstract
■ This article examines New York City's war on graffiti from 1970 until the present and the ways in which the city's reaction to the popular youth practice was largely shaped by the neoliberal restructuring process occurring throughout the same period. It explores the racialization and criminalization of the youth who practiced graffiti, and the ways in which this process manifested itself as a contestation over the use of urban space. Finally, it explores the practice of graffiti and the role of cultural practices more generally in relation to an anti-racist discourse.
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