Compositions in Egyptian Hieroglyphs in Nineteenth Century England

Abstract

Between 1840 and 1860, four original texts in Ancient Egyptian hieroglyphs were composed for inscription on buildings in England, and in one case on structures in an exhibition. Another inscription was also planned, but not executed. Joseph Bonomi (1796–1878) and Samuel Birch (1813–1885), were involved in all but one of these, often together. This paper considers their location and function, the conflict between authenticity and accommodation of modern content, and implications for the place of Ancient Egypt in the culture of Victorian England. Several other nineteenth century hieroglyphic compositions outside England, and two original twentieth century hieroglyphic compositions on and in buildings in England, are also discussed.