Abstract
In the hands of Palestinian artists, the concept of bearing witness not only serves as a means of recording a past tragedy but also involves a complex repertoire of strategies, including interrogating the past, recreating it and, most importantly, forging resistance against the assassination of liberation itself. This article examines how artists of resistance, such as Naji Al Ali, Mahmoud Darwish and Ghassan Kanafani, use the concept of bearing witness to tragedy as a tool of resistance and to guard against the idea of liberation itself dying. It is argued that the state of Israel has used assassination as a means of extinguishing the will of the Palestinian people to resist, targeting both political leaders of resistance movements as well as cultural and literary figures.
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