Abstract
For The Moviegoer’s Binx Bolling, history seems at times to be nothing more than the ‘adulteration of events that clog time like peanuts in brittle’. At others, personal histories seem to shape people's constitutions. Bolling has abandoned his ‘vertical search’ of combing through history to find meaning in favour of a ‘horizontal search’ that treats such endeavours as ancillary. At the same time he only understands others by seeing them as the product of their historical dialectics. This complex use of history as both a vehicle of understanding and a veil that confuses more than it clarifies serves as one of the principal sources of Bolling's stasis throughout the novel.
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