Corson, W. H. (1970). Conflict and co-operation in East-West crises: dynamics of crisis interaction. Unpublished doctoral dissertation, Harvard University.
2.
Ekman, G.
(1962). Measurement of moral judgement: a comparison of scaling methods. Perception and Motor Skills, 15, 3-9.
3.
Figgs, L. D.
(1981). Quantitative differences in trumpet tones as perceived by listeners and by acoustical analysis. Psychology of Music, 9 (2), 54-62.
4.
Koh, S. D.
(1965). Scaling musical preference. Journal of Experimental Psychology, 70, 79-82.
5.
Poulton, E. C.
(1968). The new psychophysics: six models for magnitude estimation. Psychological Bulletin, 69, 1-19.
6.
Radocy, R. E.
(1978). The influence of selected variables on the apparent size of successive pitch intervals. Psychology of Music, 6 (2), 21-29.
7.
Radocy, R. E.
and Boyle, J. D. (1979). Psychological Foundations of Musical Behavior. Springfield, Illinois: Thomas.
8.
Siegel, J. A.
, Siegel, W., Harris, G. and Sopo, R. (1974). Categorical Perception of Pitch by Musicians with Relative and Absolute Pitch. London, Ontario: Department of Psychology, University of Western Ontario. (Research Bulletin No. 303.)
9.
Stevens, S. S.
(1975). Psychophysics. New York: Wiley.
