Book review: DAVID TEMPERLEY,Music and Probability. Cambridge,MA: MIT Press,2007. 256 pp. ISBN 0262201666 (hbk) $40.00/£25.95

Huron, D. (2006). Sweet anticipation: Music and the psychology of expectation. Cambridge, MA: MIT Press.

Kostka, S. (1995). Instructor's manual to accompany tonal harmony . New York: McGraw-Hill.

Krumhansl, C.L. , & Kessler, E.J. (1982). Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys. Psychological Review, 89(4), 334-368.

Parncutt, R. (1988). Revision of Terhardt's psychoacoustical model of the root(s) of a musical chord. Music Perception, 6(1), 65-94.

Parncutt, R. (1989). Harmony: A psychoacoustic approach. Berlin: Springer.

Parncutt, R. (1994). A perceptual model of pulse salience and metrical accent in musical rhythms. Music Perception, 11(4), 409-464.

Parncutt, R. (2007, May). Tonal implications of harmonic and melodic Tn-sets. Paper presented at Mathematics and Computation in Music (MCM2007), Berlin, Germany.

Seither-Preisler, A. , Johnson, L. , Krumbholz, K. , Nobbe, A. , Patterson, R.D. , Seither, S. , & Lütkenhöner, B. (in press). Observation: Tone sequences with conflicting fundamental pitch and timbre changes are heard differently by musicians and non-musicians. Journal of Experimental Psychology: Human Perception and Performance.

Thompson, W.F. , & Parncutt, R. (1997). Perceptual judgments of triads and dyads: Assessment of a psychoacoustic model. Music Perception, 14(3), 263-280.

Terhardt, E. (1982). Die psychoakustischen Grundlagen der musikalischen Akkordgrundtöne und deren algorithmische Bestimmung. In C. Dahlhaus & M. Krause (Eds.), Tiefenstruktur der Musik (pp. 23-50). Berlin : Technical University of Berlin.

Terhardt, E. , Stoll, G. , & Seewann, M. (1982a). Pitch of complex signals according to virtual-pitch theory: Tests, examples, and predictions. Journal of the Acoustical Society of America, 71, 671-678.

Terhardt, E. , Stoll, G. , & Seewann, M. (1982b). Algorithm for extraction of pitch and pitch salience from complex tonal signals. Journal of the Acoustical Society of America, 71(3), 679-688.