Auhagen, W.
(1994) Experimentelle Untersuchungen zur auditiven
Tonalitätsbestimmungen in Melodien (2 vols).
Kassel: Gustav Bosse Verlag
.
2.
Butler, D.
(1989)
‘Describing the Perception of Tonality in Music: A Critique of
the Tonal Hierarchy Theory and a Proposal for a Theory of Intervallic Rivalry’
, Music Perception6:
219-242
.
3.
Forte, A.
(1998)
‘Paul Hindemith’s Contribution to Music Theory in the
United States’
, Journal of Music Theory42:
1-14
.
4.
Hindemith, P.
(1942[1937]) The Craft of Musical Composition
(Unterweisung im Tonsatz. I. Theoretischer Teil.), trans. A. Mendel.
New York: Associated Music
.
5.
Hoover, M.
(1984)
‘Set Constellations’
, Perspectives of New Music23(1):
164-179
.
6.
Krumhansl, C.L.
and
Shepard, R.
(1979)
‘Quantification of the Hierarchy of Tonal Functions within a
Diatonic Context’
, Journal of Experimental Psychology: Human Perception and Performance5:
579-594
.
7.
Smith, J.D.
(1997)
‘The Place of Musical Novices in Music Science’
, Music Perception14:
227-262
.
8.
Thomson, W.E.
(2001)
‘Deductions Concerning Inductions of Tonality’
, Music Perception19:
127-138
.
9.
Van Egmond, R.
, and
Butler, D.
(1997)
‘Diatonic Connotations of Pitch-class Sets’
, Music Perception15:
1-29
.
