Empirical research on music performance has increased considerably during recent decades. This article updates the review of the research up to 1995 published by the current author in 1999. Covering about 200 papers from 1995 up to 2002, this article confirms the impression that music performance research is in a very active stage. As in the previous review, the majority of papers are on measurement of performance, but there is a rapidly increasing number of contributions concerning models of performance, performance planning and practice. Although fewer in number, there are also many new contributions within each of the remaining areas of performance research analysed in this review.
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