Book Review: Who Owns This Sentence? A History of Copyrights and Wrongs by David Bellos and Alexandre Montagu

Baker Dean (2018), “Is Intellectual Property the Root of All Evil? Patents, Copyrights, and Inequality,” paper presented at the Great Polarization: Economics, Institutions and Policies in the Age of Inequality Conference, Department of Economics, University of Utah, (September 27–29).

Fishman Stephen (2020), The Public Domain: Find and Use Free Content for Your Website, Book, App, Music, Video, Art, and More, 9^th ed., Berkeley, CA: NOLO.

Hiltzik Michael (2022), “The U.S. Copyright System Is Absurd,” Los Angeles Times, (January 5), A2.

Hiltzik Michael (2023), “Mickey Mouse Enters the Public Domain,” Los Angeles Times, (December 31), A2.

Hiltzik Michael (2024), “Who's Really Winning in Silverman’s AI Lawsuit?” Los Angeles Times, (February 21), A2.

Jenkins Jennifer (2024), “Mickey, Disney, and the Public Domain: A 95-year Love Triangle,” Duke Center for the Study of the Public Domain, (accessed April 9, 2024), [available at https://web.law.duke.edu/cspd/mickey/].

Maddaus Gene (2024), “‘Steamboat Willie’ Horror Film Announced as Mickey Mouse Enters Public Domain,’” Variety, (January 2), (accessed April 8, 2024), [available at https://variety.com/2024/film/news/steamboat-willie-horror-film-mickey-mouse-public-domain-copyright-1235849861/].

Petri Grischka (2014), “The Public Domain vs. the Museum: The Limits of Copyright and Reproductions of Two-Dimensional Works of Art,” Journal of Conservation & Museum Studies, 12 (1), 1-12.

U.S. Copyright Office (2023), U.S. Copyright Office Fair Use Index, (accessed April 9, 2024), [available at https://www.copyright.gov/fair-use/].

Witkowski Terrence H. (2012), “Review of Sita Sings the Blues by Nina Paley,” Journal of Macromarketing, 32 (3), 328-331.

World Bank (2024), “Charges for the Use of Intellectual Property, Payments (BOP Current US$),” (accessed April 9, 2024), [available at https://data.worldbank.org/indicator/BM.GSR.ROYL.CD].