DiGiacomo, S.
(1992)
`Metaphor as Illness: Post-Modern Dilemmas in the Representation of Body,
Mind and Disorder'
, Medical Anthropology14: 109-37.
2.
Radley, A.
(1999)
`The Aesthetics of Illness: Narrative, Horror and the Sublime'
, Sociology of Health and Illness21: 778-96.
3.
Lunenfeld, Peter
(1999) `Screen Grabs: The Digital Dialectic and New Media
Theory', pp. x-xxi in
P. Lunenfeld
(ed.) The Digital Dialectic: New Essays on New Media.
Cambridge, MA: MIT
Press.
4.
Edgar, A.
and
P. Sedgwick
(eds) (1999) Key Concepts in Cultural Theory .
London
and New York:
Routledge.
5.
Grossberg, L.
(1986) `Is There Rock After Punk?', pp.
111-23 in
S. Frith
and
A. Goodwin
(eds) On Record: Rock, Pop and the Written Word.
London
and New York:
Routledge.
6.
Hebdige, D.
(1979) Subculture: The Meaning of Style.
London:
Methuen.
7.
McRobbie, A.
(1993)
`Shut Up and Dance: Youth Culture and Changing Modes of Femininity'
, Young: The Nordic Journal of Youth Research1(2).
8.
Redhead, S.
(1990) The End of the Century Party: Youth and Pop towards
2000. Manchester: Manchester
University Press.
9.
Savage, J.
(1991) England's Dreaming: Sex Pistols and Punk Rock.
London: Faber and
Faber.
10.
Sharma, S.
,
A. Sharma
and
J. Hutnyk
(1996) Disorienting Rhythms: The Politics of the New Asian
Dance Music. London: Zed
Books.
11.
Shuker, R.
(1998) Key Concepts in Popular Music.
London
and New York:
Routledge .
