The aim of this article is to examine both the work of Judith Butler on gender performativity and examples of how Butler's writings have been appropriated by certain other writers. I explore three areas in particular: the relation between performance and performativity in the work of Butler and her `adherents'; the developmental changes in Butler's argument between Gender Trouble and Bodies That Matter; and the question of the effectiveness of the politics of parody. I argue that it is the ambiguities in Butler's own several accounts of the distinction between performance and performativity that fuel the readings of the politics of performance as the province of the autonomous subject - a perspective at variance with Butler's own. In addition, I explore the deficiencies in Butler's account of politics, especially her denial of the significance of the context on the efficacy of political interventions.
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