Women and Soap Opera

Allen, R.C. (1983) `On Reading Soaps', in E. Ann Kaplan (ed.), Regarding Television. Fredericksburg, MD: University Publications of America, American Film Institute Monograph Series no. 2.

Allen, R.C. (1985) Speaking of Soap Opera. Chapel Hill, NC: University of North Carolina Press.

Ang, I. (1985) Watching Dallas. London: Methuen.

Bennett, T. (1986) `The Politics of “The Popular” and Popular Culture', in T. Bennett , C. Mercer and J. Woollacott (eds), Popular Culture and Social Relations. Milton Keynes: Open University Press.

Bennett, T. and J. Woollacott (1987) Bond and Beyond. London: Macmillan.

Brower, S. (1989) `Dallas Redux: Audience Study, the Schedule and the Viewing Strip', paper presented to the Annual Conference of the Society for Cinema Studies.

Brunsdon, C. (1981) `Crossroads - Notes on Soap Opera', Screen 22(4): 32-37.

Buckingham, D. (1987) Public Secrets. London: British Film Institute.

Butler, J.G. (1986) `Notes on the Soap Opera Apparatus: Televisual Style and As The World Turns', Cinema Journal 25(3): 53-70.

Cantor, M. and S. Pingree (1983) The Soap Opera. Beverley Hills, CA: Sage.

Cassata, M. and T. Skill (1983) Life on Daytime Television. Lexington: Ablex.

Cassidy, M.F. (1989) `Dallas Refigured', in G. Burns and R.J. Thompson (eds), Television Studies: Textual Analysis. New York and London: Praeger.

Culler, J. (1983) On Deconstruction. London: Routledge & Kegan Paul.

de Lauretis, T. (1984) Alice Doesn't. Bloomington: Indiana University Press.

Deming, R.H. (1989) `The Return of the Unrepressed: Male Desire, Gender and Genre', paper presented to the Annual Conference of the Society for Cinema Studies.

Doane, M.A. , P. Mellencamp and L. Williams (eds) (1984) Re-Vision: Essays in Feminist Film Criticism. Fredericksburg, MD: University Publications of America, American Film Institute Monograph Series no. 3.

Drotner, K. (1989) `Intensities of Feeling: Emotion, Reception and Gender in Popular Culture', in M. Skovmand (ed.), Media Fictions, The Dolphin. Aarhus: Aarhus University Press.

Feuer, J. , P. Kerr and T. Vahimagi (eds) (1984) MTM: Quality Television. London: British Film Institute.

Flitterman, S. (1983) `The Real Soap Operas', in E. Ann Kaplan (ed.), Regarding Television. Fredericksburg, MD: University Publications of America, American Film Institute Monograph Series no. 2.

Gledhill, C. (1984) `Developments in Feminist Film Criticism', in M.A. Doane , P. Mellencamp and L. Williams (eds), Re-Vision: Essays in Feminist Film Criticism. Fredericksburg, MD: University Publications of America, American Film Institute Monograph Series no. 3.

Hall, S. (1981) `Notes on Deconstructing “the Popular” ', in R. Samuel (ed.), People's History and Socialist Theory. London: Routledge.

Hobson, D. (1982) Crossroads. The Drama of a Soap Opera. London: Methuen.

Liebes, T. and E. Katz (1986) `Patterns of Involvement in Television Fiction', European Journal of Communication 1: 151-171.

Lukow, G. and S. Ricci (1984) `The “Audience” Goes Public: Intertextuality, Genre, and the Responsibilities of Film Literacy', On Film 12: 29-36.

Modleski, T. (1979) `The Search for Tomorrow in Today's Soap Operas', Film Quarterly 33(1): 12-21.

Modleski, T. (1983) `The Rhythms of Reception: Daytime Television and Women's Work', pp. 67-75 in E.A. Kaplan (ed.), Regarding Television. Fredericksburg: University Publications of America, American Film Institute Monograph Series no. 2.

Moi, T. (1985) Sexual/Textual Politics. London: Methuen.

Neale, S. (1990) `Genre: Current Issues and Questions', Screen 31: 45-66.

Radway, J. (1984) Reading the Romance. Chapel Hill, NC: University of North Carolina Press.

Seiter, E. (1982) `Promise and Contradiction - the Daytime TV Serial', Film Reader 5: 150-163.

Seiter, E. et al. (1989) ` “Don't Treat Us Like We're So Stupid and Naive”: Towards an Ethnography of Soap Opera Viewers', in E. Seiter et al. (eds), Remote Control. London: Routledge.

Wober, M. (1984) `Cinderella Comes Out', Media, Culture and Society 6(1): 65-71.