Alberoni Francesco (1966), Society, Culture and Mass Communication Media , Ikon, 19, p 29-62
2.
Anderson Perry (1968), Components of the National Culture, New Left Review , 50, p 3-57
3.
Arnold Matthew (1861), The Popular Education of France, in R H Super (ed) The Complete Prose Works of Matthew Arnold, University of Michigan
4.
Baker SJ (1943), The Influence of American Slang on Australia, American Speech, 18, p 253-6
5.
Barthes Roland (1973), Mythologies , St Albans: Paladin
6.
Bigsby, Cwe (1975), Superculture: American Popular Culture and Europe , LondonPaul Elek
7.
Bennett Lewis (1955), This Television Monster, Meanjin, 14, p 102-8
8.
Bourdieu Pierre (1968), Eléments d'une Théorie Sociologique de la Perception Artistique, Revue Internationale des Sciences Sociales, 20, p 640-4
9.
Bourdieu Pierre (1980), The Aristocracy of Culture, Media Culture and Society , 2, p 234-253
10.
Boyd Robin (1960), The Australian Ugliness, Melbourne : Cheshire
11.
Churchward LS (1950), Australian-American Trade Relations 1791-1939 , Economic Record26, p 69-86
12.
Churchward LS (1979), Australia and America 1788-1972: An Alternative History, Sydney: APCOL
13.
Counihan Mick (1982), The Formation of a Broadcasting Audience: Australian Radio in the Twenties , Meanjin, 41, p 196-208
14.
Day Patrick (1975), Cultural Imperialism in New Zealand, Australia and New Zealand Journal of Sociology11, p 43-5
15.
Drake-Brockman Henrietta (1947), The Fatal Days, Sydney: Angus and Robertson
16.
Johnson Lesley (1982), Sling 'em Muck, Clara: Highbrow Versus Lowbrow on Early Australian Radio, Meanjin, 41, p 210-22
17.
Johnston George (1964), My Brother Jack, London: Collins
18.
Lewis George H (1978), The Sociology of Popular Culture, Current Sociology, 26, 3
19.
Mattelart, Armand (1979), Multinational Corporations and the Control of Culture: the Ideological Apparatuses of Imperialism, Hassocks : Harvester Press
20.
McLachlan ND (1977), The Future America: Some Bicentennial Reflections , Historical Studies, 68, p 361-83
21.
McNair WA (1937), Radio Advertising in Australia, Sydney: Angus and Robertson
22.
Megaw Ruth (1968), The American Image: Influence on Australian Theatre Management, Journal of the Royal Australian Historical Society, 54, p 194-204
23.
Ogmundson R. (1980), Toward the Study of the Endangered Species Known as Anglophone Canadian, Canadian Journal of Sociology, 5, p 1-12
24.
Payne David E & Peake Christy A (1977), Cultural Diffusion: The role of US TV in Iceland, Journalism Quarterly, 54, p 523-31
25.
Phillips AA (1958), The Australian Tradition: Studies in a ColonialCulture, Melbourne: Cheshire
26.
Rowse Tim (1978), Australian Liberalism and National Character, Melbourne: Kibble
27.
Schiller Herbert I. (1969), Mass Communication and American Empire, New York: Augustus M Kelley
28.
Serle Geoffrey (1967), Godzone: Austerica Unlimited?Meanjin, 26, p 237-250
29.
Serle Geoffrey (1973), From Deserts the Prophets Come: The Creative Spirit in Australia 1788-1972, Melbourne: Heinemann
30.
Skipper James (1975), Musical Tastes of Canadian and American College Students: An Examination of the Massification and Americanisation Theses, Canadian Journal of Sociology,1, p 49-59
31.
Spearritt Peter & Walker David (eds 1979), Australian Popular Culture , Sydney: Allen & Unwin
32.
Tulloch John (1981), Legends on the Screen: The Narrative Film in Australia 1919.1929, Sydney: Currency Press/AFI
33.
Turner Ian (1978), The Bastards from the Bush: Some Comments on Class and Culture, in EL Wheelwright & Ken Buckley (eds) Essays In the Political Economy of Australian Capitalism, Vol 3, Sydney, ANZ Book Coy
34.
Ward Russel (1958), The Australian Legend, Melbourne:OUP
35.
White Richard (1980), Combating Cultural Aggression: Australian Opposition to Americanisation . Meanjin, 39, p 275-289
36.
White Richard (1981), Inventing Australia: Images and Identity 1888-1980 , Sydney: Allen & Unwin