Abstract
With the publication of Georg Simmel’s Essays on Art and Aesthetics there is now an illuminating collection of Simmel’s essays that makes a decisive dimension of Simmel’s thought available to English readers. Austin Harrington’s masterfully curated selection, introduced with a thorough and informative discussion, presents Simmel’s thought on art and aesthetics in a way that makes it now for the first time possible to fully appreciate the essayistic yet coherently critical thrust of Simmel’s thought in its extraordinary range and detail.
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