Sage Journals: Discover world-class research

Abstract

Embracing the dual identity of artist with therapist is valuable for dramatherapists, particularly when addressing the issue of fitness to practice.

Keywords

artist cancer dramatherapy training fitness to practice self-care therapist

Get full access to this article

View all access options for this article.

References

Adler

(2002) Offering from the Conscious Body: The Discipline of Authentic Movement. Rochester, VT: Inner Traditions.

Antoni

Bouchard

Jacobs

, et al. (2016) Stress management, leukocyte transcriptional changes and breast cancer recurrence in a randomized trial: An exploratory analysis. Psychoneuroendocrinology 74: 269–277.

Calhoun

Tedeschi

(eds) (2014) Handbook of Posttraumatic Growth. 2nd ed. London: Routledge.

Dokter

Lea-Weston

Thornwood

(2021) Secondary traumatisation and therapist illness. In: Chesner

lykou

(eds) Trauma in the creative and embodied therapies: When words are not enough. Abingdon: Routledge, pp. 155–166.

Drapeau

Drouin

Plante

(2021) Vicarious trauma and response art: A professional development workshop for psychotherapists working with survivors of trauma. The Arts in Psychotherapy 72: 101744.

Frank

(2013 [1995]) The Wounded Storyteller: Body, Illness & Ethics. 2nd ed. Chicago, IL: The University of Chicago Press.

Frankl

(1963 [1949]) Man’s Search for Meaning: The Classic Tribute to Hope from the Holocaust. Oxford: Washington Square Press.

Gersie

(1987) Dramatherapy and play. In: Jennings

(ed.) Dramatherapy: Theory and Practice 1. London: Routledge, pp. 46–72.

Gersie

(2016) Dramatherapists believe that they must be both artist and therapist: An exploration. In: Jennings

Holmwood

(eds) Routledge International Handbook of Dramatherapy. London: Routledge, pp. 67–76.

10.

Gersie

King

(1990) Storymaking in Education and Therapy. London: Jessica Kingsley Publishers.

11.

Health and Care Professions Council (HCPC) Standards of Proficiency for Arts Therapists (2013). Available at: www.hcpc-uk.org/standards/standards-of-proficiency/arts-therapists/ (accessed 6 May 2021).

12.

Iliya

(2014) The purpose and importance of personal creativity for creative arts therapists: A brief literature review. Journal of Applied Arts & Health 5:109–115.

13.

Joseph

Linley

(2005) Positive adjustment to threatening events: An organismic valuing theory of growth through adversity. Review of General Psychology 9: 262–280.

14.

Longo

(2018) The Longevity Diet. NY: Avery.

15.

Maté

(2019) When the Body Says No: The Cost of Hidden Stress. London: Penguin.

16.

Mellon

(2008) Body Eloquence: The Power of Myth and Story to Awaken the Body’s Energies. Santa Rosa, CA: Energy Psychology Press.

17.

Rediger

(2020) Cured: The Power of Our Immune System and the Mind-body Connection. London: Penguin Life.

18.

Sabbage

(2015) The Cancer Whisperer: Finding Courage, Direction and the Unlikely Gifts of Cancer. London: Coronet.

19.

Singer

(2007) The Untethered Soul: The Journey beyond Yourself. Oakland, CA: New Harbinger Publications, Inc.

20.

Thomas

(2020) How to Live: The Groundbreaking Lifestyle Guide to Keep You Healthy, Fit and Free of Illness. London: Short Books.

21.

Tick

(2005) War and the Soul: Healing Our Nation’s Veterans from Post-traumatic Stress Disorder. Wheaton, IL: Quest Books.

22.

Van der Kolk

(2014) The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma. New York: Viking.

Artist identity is a vital part of fitness to practice for dramatherapists

Abstract

Keywords

Get full access to this article

References