The article seeks to explore the chances of fostering the cognitive and the personality components of creativity in university students. The present work regards divergent thinking as a cognitive component of human creative power. Divergent thinking parameters covered by the present research include fluency, flexibility, and originality of thinking. Thus, this particular aspect of creativity is highlighted in this work in order to verify the chances of training for divergent thinking by means of a special training program.
Get full access to this article
View all access options for this article.
References
1.
AlmonaitienėJ.Moksleivių kūrybingumo psichologiniai aspektai (Some psychological aspects of students' creativity). Daktaro disertacija (Doctoral Dissertation), Kaunas: VDU (Vytautas Magnus University), 1997.
2.
BudrysR.Studentų kūrybiškumo santykis su asmenybes savybėmis (Some relationship between creativity and traits of personality) // VU (Vilnius University), Psichologijos katedra (Psychological Department), Diplominis darbas (Graduation dissertation), 1984.
3.
FeldhusenJ.F.Talent Identification and Development in Education // Gifted Education International, 1994, Vol. 10, N. 1. p. 10–16.
4.
Grakauskaitė-KarkockienėD.Kūrybos psichologija (Creative psychology). Vilnius: Logotipas, 2003, p. 256.
5.
GrendstadN. M.Mokytis — tai atrasti (To learn — is to discover). Vilnius: Margi raštai, 1996.
6.
GuilfordJ. P. (1956) The structure of intellect, Psychological Bulletin, 53, 267–293
7.
GuilfordJ. P.Intelligence, Creativity and Their Educational Implications. San Diego, CA: Knapp, 1968.
8.
Ivonytė - SatkūnieneV.Kai kurie Toranso kūrybinio mqstymo testo adapatavimo aspektai (Some aspects of Torrance TCT adaptation). VU (Vilnius University), Psichologijos katedra (Psychological Department), Diplominis darbas (Graduation dissertation), 1985.
9.
KarkockienėD.ButkienėG.Some Possibilities to Diagnose Students Creativity. In: Baltische Studien Zur Erziehungs-und Sozialwissenschaft. Bildung im Zeitalter der Informationsgesellshaft, t. 8. Frankfurt am Main: Peter Lang, 2003, p. 203–215.
10.
MayR.The Nature of Creativity. In: AndersonH.Creativity and its Cultivation. New York: Harper&Row, 1959. p. 55–69.
11.
MumfordM. D.NorrisD. G.Heuristics. In: RuncoM. A.PritzkerS. (Eds.), Encyclopedia of Creativity. San Diego, CA: Academic Press, 1999, p. 139–146.
12.
ParnesS. J.Programs and Courses in Creativity / / RuncoM. A.PritzkerS. R. (Eds.). Encyclopedia of Creativity. San Diego, CA: Academic Press, 1999, p. 465–477.
13.
PluckerJ. A.RuncoM. A.Enhancement of Creativity. // RuncoM. A.PritzkerS. R.. Encyclopedia of Creativity. San Diego, CA: Academic Press, 1999, p. 669–675.
14.
RogersC. R.On Becoming a Person. Boston: Houghton Mifflin Company, 1961.
15.
SternbergR. J.O'HaraL. A.Creativity and Intelligence / / SternbergR. J. (Ed.). Handbook of Creativity. Cambridge: Cambridge University Press. 1999, p. 251–272.
16.
ScottG.LeritzL. E.MumfordM. D.The effectiveness of Creativity Training: a quantitative review. Creativity Research Journal, 2004, Vol. 16, Issue 4, p. 327–361.
17.
SternbergR. J.LubartT. I.KaufmanJ. C.PretzJ. E.Creativity // HolyoakK. J.MorrisonG. (Eds.). The Cambridge handbook of thinking and reasoning. New York: Cambridge University Press, 2005.