BatesF. I., & HarveyC. C. (1975). The structure of social systems.New York: Gardner Press, distributed by Halsted Press.
2.
BeckerH. S. (1972). Careers in a deviant occupational group: The dance musician. In Outsiders: Studies in the sociology of deviance. (Ed. by BeckerH. S., pp. 100–1180. New York: Free Press.
3.
BeckerH. S. (1977). Sociological work (2nd ed.). New Brunswick: Transaction.
4.
BockK. (1980). Human nature and history: A response to sociobiology.New York: Columbia University Press.
5.
CafagnaA. C. (1960). A formal analysis of definitions of ‘culture.’ In DoleG. E., & CarneiroR. L. (Eds.), Essays in the science of culture. (In honour of Leslie A. White). New York: Thomas Y. Cromwell.
6.
FaulknerR. R. (1971). The Hollywood studio musician.Chicago: Aldine-Atherton Press.
7.
FaulknerR. R. (1973). Career concerns and mobility motiviations in orchestra musicians.Sociological Quarterly, 14 (Winter), 334–339.
8.
FaulkerR. R. (1983). Music on demand: Composers and careers in the Hollywood film industry.New Brunswick: Transaction.
9.
GiardA., & GentilG. (1983). Cultural development: Experiences and policies (2nd ed.). Paris: UNESCO.
10.
HillD. (1985). An investigation of the career realities and occupational concerns of selected professional performing musicians. Unpublished doctoral dissertation, North Texas State University, Denton, TX.
11.
HughesE. C. (1958). Men and their work.Glencoe: The Free Press.
12.
KaplanM. (1951). The musician in America: A study of his social roles. Unpublished doctoral dissertation, University of Illinois, Urbana, IL.
13.
KluckhohnC. (1961). Universal categories of culture. In MooreF. W. (ed.), Readings in cross-cultural methodology (pp. 89–108). New Haven: HRAF Press.
14.
LeachE. (1982). Social anthropology.New York: Oxford University Press.
15.
MartyQ. G. (1982). Influences of selected family background, training, and career preparation factors on the career development of symphony orchestra musicians: A pilot study. (Doctoral dissertation, University of Rochester, Eastman School of Music). Dissertation Abstracts International, 43/05A, p. 1464(#82-24354).
16.
McNeillW. H. (1980). The human condition: An ecological and historical view.Princeton, NJ: Princeton University Press.
17.
MerriamA. P. (1964). The anthropology of music.Chicago: Northwestern University Press.
18.
MortimerJ. T., & LorenceJ. (1979). Occupational experience and the self-concept: A longitudal study.American Journal of Sociology, 84, (4), 307–323.
19.
MoscoviciS. (1976). Society against nature: The emergence of human societies.Atlantic High-lands, NJ: Humanities Press.
20.
NettlB. (1964). Theory and method in ethnomusicology (Chpts. 6 & 9). New York: The Free Press of Glencoe; London: Collier Macmillan.
21.
NidaE. A. (1954). Customs and cultures.New York: Harper.
22.
NketiaJ. H. (1971). Readings in ethnomusicology (pp. 330–335). New York: Johnson Reprint Corporation. [Reprinted from African Music, 1, (4), 1957, 13-17.
23.
NketiaJ. H. (1954). The role of the drummer in Akan society.African Music, 1, (1), 34–43.
24.
PavalkoR. (1971). Sociology of occupations and professions.Itasca, IL: F. E. Peacock.
25.
PellesG. (1963). Art, artists, and society: Origins of a modern dilemma.Englewood Cliffs: Prentice-Hall.
26.
SeegerCh. (1977). Studies in musicology: 1935-1975.Berkeley, CA: University of California Press.
27.
SeltzerG. (1975). The professional symphony orchestra in the United States.Mechuchen, NJ: Scarecrow.
28.
TurksonA. (1982). Effuto asafo: Its organization and music.African Music, 6, (2), 4–16.
29.
WestbyD. L. (1960). The career experience of the symphony musician.Social Forces.38 (March), 223–230.