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Abstract

The purpose of this study was to examine our music teacher educator (MTE) identity construction. Our research questions were: (a) How did we describe our MTE identity construction during our doctoral education? and (b) What experiences were most salient in our MTE identity construction during our doctoral education? We used basic qualitative methods to conduct a self-study of our transition from music educators to teacher educators. Hermans and Hermans-Konopka’s dialogical self theory was our theoretical framework. Through analysis, our findings coalesced around three themes: (a) experiences of uncertainty and tension related to who we were as people; (b) wrestling with uncertainty through internal conflict, open-ended mentorship, gradually adopting nuance, fearing rejection, and seeking acceptance; and (c) an expanded sense of self as we incorporated parts of being an MTE into our whole selves, embraced agency in meaning-making, accepted tension, and began offering transformative experiences to our students. Implications for music teacher education are discussed.

Keywords

Dialogical self-theory identity music education music teacher education self-study

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Shifting frames: Two doctoral students’ identity construction as music teacher educators

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