Senegalese-French filmmaker Maïmouna Doucouré's resistance project, Cuties (2020), aimed to alert adults about the dangers of hypersexualization on social media and its harm to young girls. However, the film content and its suggestive Netflix marketing campaign led to it being misinterpreted and maligned as “child pornography.” This study examines these controversies, arguing that the heightened gaze stems from “othering” Black girlhood and polarizing views circulating in the digital space. We contend these occurrences, evident in our selected data sources, speak to a larger phenomenon wherein human and nonhuman actors across various media channels and news cultures worked to quiet historically marginalized voices. Furthermore, the movie's controversy allows for a critique of the media ecosystem and its role in a market-driven economy.
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