The world we want: What we can still learn from Stuart Hall

Brunsdon C. Morley D. (1978). Everyday television: Nationwide. London, England: British Film Institute.

Hall S. (1980). Encoding/decoding. In Hall, S. Hobson, D. Love A. , & Willis, P. (Eds.), Culture, media, language: Working papers in cultural studies, 1972–79 (pp. 128–138). Boston, MA: Unwin Hyman.

Hall S. (1986). On postmodernism and articulation: An interview with Stuart Hall. Journal of Communication Inquiry, 10(2), 45–60.

Hall S. (1988). Hard road to renewal: Thatcherism and the crisis of the left. New York, NY: Verso.

Hall S. (1992). Cultural studies and its theoretical legacies. In Grossberg, L. Nelson C. , Treichler P.A. , Baughman L. , & Wise, J.M. (Eds.), Cultural studies (pp. 277–294). New York, NY: Routledge.

Hall S. (1994). Reflections upon the encoding/decoding model. In Cruz J. Lewis, J. (Eds.), Viewing, reading, listening: Audiences and critical reception (pp. 253–274). Boulder, CO: Westview.

Hall S. (2016). Cultural studies 1983: A theoretical history. Durham, NC: Duke University Press.

Hall S. (2017a). Familiar stranger: A life between two islands. Durham, NC: Duke University Press.

Hall S. (2017b). The fateful triangle: Race, ethnicity, nation. Cambridge, MA: Harvard University Press.

Hall S. (2017c). Selected political writings: The great moving right show and other essays. Durham, NC: Duke University Press.

Hall S. , Critcher C. Jefferson T. , Clarke J. , & Roberts B. (1978). Policing the crisis: Mugging, the state, and law and order. New York, NY: Holmes & Meier Publishers.

Hall S. Jefferson T. (1976). Resistance through rituals: Youth subcultures in post-war Britain. London, England: Unwin Hyman.

Morley D. (1980). The Nationwide audience: Structure and decoding. London, England: British Film Institute.

Morley D. (1981). “The Nationwide audience”: A critical postscript. Screen Education, 57, 3–14.