Abstract
Through an examination of narrative developments in South Park and a deeper textual analysis of two of the television show's episodes in particular, this article discusses the ramifications of anarchic and aggressive critiques of reified gender identity in popular culture. It draws primarily on Haraway and Butler, engaging gender precisely through its performative or blasphemous potential for oppositional culture. The episodes discussed demonstrate the possibility for a fluid conception of gender and a highly inter-textual approach to gender development. Rather than asserting a coherent political position, South Park examines and disrupts gender norms precisely through multiplicity and fragmentation, demonstrating an emergent paradigm for social activism.
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