Abstract
Two consummate black actors took on the lead roles in Iqbal Khan’s 2015 revival of Othello with the Royal Shakespeare Company (RSC): the British-Ghanaian actor Hugh Quarshie played Othello and the British-Tanzanian/Zimbabwean actor Lucian Msamati made theatre history as the RSC’s first black Iago. The play did not come across as either Othello- or Iago-centred but as a choreographed dance between Quarshie and Msamati, which involved trustable coordination with the cast. Their performances in a multicultural and racially diverse world increased the available data to arrest our spectating gaze and so expanded received notions of what the play is ‘about’.
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