Call for papers March 1

Alvarez J. L. Mazza C. Strandgaard Pedersen J. Svejenova S. 2005. Shielding Idiosyncrasy from Isomorphic Pressures: Towards Optimal Distinctiveness in European Filmmaking. Organization, 12: 863-888.

Becker H.S. 1982. Art Worlds. Berkeley, CA: University of California Press.

Bechky B. A. 2006. Gaffers, gofers, and grips: Role-based coordination in temporary organizations. Organization Science, 17: 3-21.

DiMaggio P.J. 1991. Constructing an organizational field as a professional project: US art museums, 1920-1940. Powell W.W. DiMaggio P.J. eds. The New Institutionalism in Organizational Analysis. Chicago, IL: University of Chicago Press.

Hirsch P.M. 2000. Cultural Industries Revisited. Organization Science, 11: 356-361

Jones C. 2010. Finding a place in history: Social and symbolic networks in creative careers. Journal of Organizational Behavior, 31: 726–748.

Jones C. Livne-Tarandach R. 2008. Designing a frame: Rhetorical strategies of architects. Journal of Organizational Behavior, 29: 1075-1099.

Jones C. Thornton P. 2005. Introduction to Transformations in Cultural Industries. Research in the Sociology of Organizations, 23: ix-xix.

Khaire M. Wadhwani R.D. Changing landscapes: The construction of meaning and value in a new market category—Modern Indian Art. Academy of Management Journal (forthcoming).

Peterson R.A. Berger D.G. 1971. Entrepreneurship in organizations: Evidence from the popular music industry. Administrative Science Quarterly, 10: 97-106.

Svejenova S. Mazza C. Planellas M. 2007. Cooking up change in haute cuisine: Ferran Adrià as an institutional entrepreneur. Journal of Organizational Behavior, 28: 539-561.

Svejenova S. Planellas M. Vives L. 2010. An individual business model in the making: a chef’s quest for creative freedom. Long Range Planning, 43: 408-430.

Tschang F.T. 2007. Balancing the tensions between rationalization and creativity in the video games industry. Organization Science, 18: 989-1005.

White H.C. White C.A. 1965. Canvases and Careers: Institutional Change in the French Painting World. New York, NY: Wiley.