Adorno, T.W. (1991) The Culture Industry: Selected Essays on Mass Culture.London: Routledge.
2.
Alexander, P.J. (1996) `Entropy and Popular Culture: Product Diversity in the Popular Music Recording Industry', American Sociological Review61: 171-4.
3.
Arthur, W.B. (1990) `Silicon Valley Locational Clusters: When do Increasing Returns Imply Monopoly?', Mathematical Social Sciences19: 235-51.
4.
Barnes, B. (1974) Scientific Knowledge and Sociological Theory.London: Routledge & Kegan Paul.
5.
Barnes, B. , D. Bloor and J. Henry (1996) Scientific Knowledge: A Sociological Analysis.London: Athlone.
6.
Becker, H.S. (1974) `Art as Collective Action', American Sociological Review39: 767-76.
7.
Becker, H.S. (1976) `Art Worlds and Social Types', American Behavioral Scientist19: 703-18.
8.
Becker, H.S. (1982) Art Worlds.Berkeley and Los Angeles: University of California Press.
9.
Bordwell, D. , J. Staiger and K. Thompson (1985) The Classical Hollywood Cinema: Film Style and Modes of Production to 1960.New York: Columbia University Press.
10.
Bourdieu, P. (1971) `Le Marché des biens symboliques', L'Année sociologique22: 49-126.
11.
Bourdieu, P. (1977) `La Production de la croyance: Contribution à une économie des biens symboliques', Actes de la recherche en sciences sociales13: 3-44.
12.
Bourdieu, P. (1983) `The Field of Cultural Production, or: the Economic World Reversed', Poetics12: 311-56.
13.
Bourdieu, P. and Y. Delsaut (1975) `Le Couturier et sa griffe: Contribution à une théorie de la magie', Actes de la recherche en science sociales11: 7-36.
14.
Burnett, R. (1990) Concentration and Diversity in the International Phonogram Industry.Gothenburg Studies in Journalism and Mass Communication 1.Gothenburg, Sweden: University of Gothenburg.
15.
Burnett, R. (1992) `The Implications of Ownership Changes on Concentration and Diversity in the Phonogram Industry', Communication Research19: 749-69.
16.
Burnett, R. (1993) `The Popular Music Industry in Transition', Popular Music and Society17: 87-114.
17.
Christianen, M. (1995) `Cycles in Symbol Production? A New Model to Explain Concentration, Diversity and Innovation in the Music Industry', Popular Music14: 55-93.
18.
Cooke, P. and K. Morgan (1998) The Associational Economy: Firms, Regions, and Innovation.Oxford: Oxford University Press.
19.
Crane, D. (1992) The Production of Culture: Media and the Urban Arts.Newbury Park, CA: Sage.
20.
Csikszentmihalyi, M. (1990) `The Domain of Creativity', pp. 190-212 in M.A. Runco and R.S. Albert (eds) Theories of Creativity.Newbury Park, CA: Sage.
21.
David, P. (1985) `Clio and the Economics of QWERTY', American Economic Review75: 332-7.
22.
Denisoff, R.S. and J. Bridges (1982) `Popular Music: Who are the Recording Artists?', Journal of Communication32: 132-42.
23.
DiMaggio, P. (1977) `Market Structure, the Creative Process, and Popular Culture: Toward an Organizational Reinterpretation of Mass-Culture Theory', Journal of Popular Culture11: 436-52.
24.
DiMaggio, P. and P.M. Hirsch (1976) `Production Organizations in the Arts', American Behavioral Scientist19: 735-52.
25.
Featherstone, M. (1995) Undoing Culture: Globalization, Postmodernism and Identity.London: Sage.
26.
Frith, S. (1992) `The Industrialization of Popular Music', pp. 49-74 in J. Lull (ed.) Popular Music and Communication.Newbury Park, CA: Sage.
27.
Frith, S. (1996) Performing Rites: On the Value of Popular Music.Cambridge, MA: Harvard University Press.
28.
Garnham, N. (1987) `Concepts of Culture: Public Policy and the Cultural Industries', Cultural Studies1: 23-37.
29.
Gronow, P. (1983) `The Record Industry: The Growth of a Mass Medium', Popular Music3: 53-75.
30.
Hall, P. (1998) Cities in Civilization.New York: Pantheon.
31.
Hennion, A. (1981) Les Professionels du disque: Une sociologie des variétés.Paris: Éditions A.M. Métailié.
32.
Hennion, A. (1983) `The Production of Success: An Anti-Musicology of the Pop Song', Popular Music3: 159-93.
33.
Hennion, A. (1989) `An Intermediary between Production and Consumption: The Producer of Popular Music', Science, Technology and Human Values14: 400-23.
34.
Hirsch, P.M. (1969) The Structure of the Popular Music Industry.Ann Arbor: Institute for Social Research, University of Michigan.
35.
Hirsch, P.M. (1972) `Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems', American Journal of Sociology77: 639-59.
36.
Kealy, E.R. (1979) `From Craft to Art: The Case of Sound Mixers and Popular Music', Sociology of Work and Occupations6: 3-29.
37.
Lash, S. and J. Urry (1994) Economies of Signs and Space.London: Sage.
38.
Latour, B. and S. Woolgar (1979) Laboratory Life: The Social Construction of Scientific Facts.Beverly Hills, CA: Sage.
39.
Lopes, P.D. (1992) `Innovation and Diversity in the Popular Music Industry, 1969 to 1990', American Sociological Review57: 56-71.
40.
Lundvall, B.A. and B. Johnson (1994) `The Learning Economy', Journal of Industrial Studies1: 23-42.
41.
Maduro, R. (1975) Artistic Creativity in a Brahmin Painter Community. Research Monograph 14.Berkeley: Center for South and Southeast Asia Studies, University of California.
42.
Malraux, A. (1946) Esquisse d'une Psychologie du Cinéma.Paris: Gallimard.
43.
Maltby, R. (1981) `The Political Economy of Hollywood: The Studio System', pp. 42-58 in P. Davies and B. Neve (eds) Cinema, Politics, and Society in America.Manchester: Manchester University Press.
44.
Mannheim, K. (1952) Essays in the Sociology of Knowledge.Henley-on-Thames: Routledge & Kegan Paul.
45.
Marshall, A. (1919) Principles of Economics.London: Macmillan.
46.
Menger, P.M. (1983) Le Paradoxe du Musicien: Le Compositeur, le Mélomane et l'Etat dans la Société Contemporaine.Paris: Flammarion.
47.
Menger, P.M. (1993) `L'Hégémonie Parisienne: Économie et Politique de la Gravitation Artistique', Annales: Économies, Sociétés, Civilisations6: 1565-1600.
48.
Molotch, H. (1996) `LA as Design Product: How Art Works in a Regional Economy', pp. 225-75 in A.J. Scott and E.W. Soja (eds) The City: Los Angeles and Urban Theory at the End of the Twentieth Century.Berkeley and Los Angeles: University of California Press.
49.
Montgomery, S.S. and M.D. Robinson (1993) `Visual Artists in New York: What's Special about Person and Place?', Journal of Cultural Economics17: 17-39.
50.
Mulkay, M.J. (1972) The Social Process of Innovation: A Study in the Sociology of Science.London: Macmillan.
51.
Negus, K. (1996) Popular Music in Theory: An Introduction.Hanover and London: Wesleyan University Press.
52.
Negus, K. (1998) `Cultural Production and the Corporation: Musical Genres and the Strategic Management of Creativity in the US Recording Industry', Media, Culture and Society20: 359-79.
53.
O'Connor, K. (1991) `Creativity and Metropolitan Development: A Study of Media and Advertising in Australia', The Australian Journal of Regional Studies6: 1-14.
54.
Peterson, R.A. (1975) `Single-Industry Firm to Conglomerate Synergistics: Alternative Strategies for Selling Insurance and Country Music', pp. 341-58 in J.F. Blumstein and B. Walter (eds) Growing Metropolis: Aspects of Development in Nashville.Nashville, TN: Vanderbilt University Press.
55.
Peterson, R.A. and D.G. Berger (1975) `Cycles in Symbol Production: The Case of Popular Music', American Sociological Review40: 158-73.
56.
Peterson, R.A. and P. DiMaggio (1975) `From Region to Class, the Changing Locus of Country Music: A Test of the Massification Hypothesis', Social Forces53: 497-506.
57.
Rowe, D. (1995) Popular Cultures: Rock Music, Sport and the Politics of Pleasure.London: Sage.
58.
Russo, M. (1985) `Technical Change and the Industrial District: The Role of Inter-Firm Relations in the Growth and Transformation of Ceramic Tile Production in Italy', Research Policy14: 329-43.
59.
Ryan, J. and R.A. Peterson (1982) `The Product Image: The Fate of Creativity in Country Music Songwriting', in J.S. Ettema and D.C. Whitney (eds) Individuals in Mass Media Organizations: Creativity and Constraint.Beverly Hills, CA: Sage.
60.
Scott, A.J. (1984) `Territorial Reproduction and Transformation in a Local Labor Market: The Animated Film Workers of Los Angeles', Environment and Planning D: Society and Space2: 277-307.
61.
Scott, A.J. (1996) `The Craft, Fashion, and Cultural-Products Industries of Los Angeles: Competitive Dynamics and Policy Dilemmas in a Multisectoral Image-Producing Complex', Annals of the Association of American Geographers86: 306-23.
62.
Scott, A.J. (1997) `The Cultural Economy of Cities', International Journal of Urban and Regional Research21: 323-39.
63.
Scott, A.J. (1998a) `Multimedia and Digital Effects: An Emerging Local Labor Market', Monthly Labor Review (March): 30-8.
64.
Scott, A.J. (1998b) Regions and the World Economy: The Coming Shape of Global Production, Competition, and Political Order.Oxford: Oxford University Press.
65.
Scott, A.J. (1999a) `French Cinema: Economy, Policy and Place in the Making of a Cultural-Products Industry', Theory, Culture & Society.
66.
Scott, A.J. (1999b) `The US Recorded Music Industry: On the Relations between Organization, Location, and Creativity in the Cultural Economy', Environment and Planning A.
67.
Storper, M. (1996) `Innovation as Collective Action: Conventions, Products, Technologies', Industrial and Corporate Change5: 761-90.
68.
Storper, M. and S. Christopherson (1987) `Flexible Specialization and Regional Industrial Agglomerations: The Case of the US Motion Picture Industry', Annals of the Association of American Geographers77: 260-82.
69.
Von Hippel, E. (1988) The Sources of Innovation.New York: Oxford University Press.
70.
White, H.C. and C.A. White (1965) Canvases and Careers: Institutional Change in the French Painting World.New York: Wiley.
71.
Williams, R. (1982) The Sociology of Culture.New York: Schocken Books.
72.
Wolff, J. (1981) The Social Production of Art.New York: St Martin's Press.
