Allen, R.C. (1987) Reader-Oriented Criticism and Television', pp. 74-112 in R.C. Allen (ed.), Channels of Discourse: Television and Contemporary Criticism.Chapel Hill: University of North Carolina Press.
2.
Alter, R. (1975a) Partial Magic: The Novel as a Self-Conscious Genre.Berkeley: University of California Press.
3.
Alter, R. (1975b) `The Self-Conscious Moment: Reflections on the Aftermath of Modernism', Tri-Quarterly, 33: 209-30.
4.
Althusser, L. (1969) For Marx, trans. Ben Brewster. New York: Pantheon Books.
5.
Althusser, L. (1971) Lenin and Philosophy and Other Essays, trans. Ben Brewster. New York and London: Monthly Review Press.
6.
Barthes, R. (1957) Mythologies.London: Paladin.
7.
Barthes, R. (1964) Elements of Semiology.New York: Hill & Wang.
8.
Barthes, R. (1977) Image/Music/Text, trans. Stephen Heath. New York: Hill & Wang.
9.
Baudrillard, J. (1988) Selected Writing.Cambridge: Polity Press.
10.
Berger, John (1972) Ways of Seeing.London: BBC and Penguin.
11.
Bordwell, D. , J. Staiger and K. Thompson (1985) The Classical Hollywood Cinema: Film Style and Mode of Production to 1960.New York: Columbia University Press.
12.
Dyer, R. (1977) `Entertainment and Utopia', Movie, 24: 2-13.
13.
Eco, U. (1984) `A Guide to the Neo-Television of the 1980's', Framework, 25: 18-25.
14.
Elizur, J. (1988) Working papers for an international symposium on `Future Directions in Television News Research: Content, Cognition and Control'.Jerusalem: Communication Institute, The Hebrew University.
15.
Feuer, J. (1977) `The Self-Reflective Musical and the Myth of Entertainment', Quarterly Review of Film Studies, 2(7): 313-26.
16.
Feuer, J. (1982) The Hollywood Musical.Bloomington: Indiana University Press.
17.
Feuer, J. (1984) MTM: Quality Television.London: British Film Institute.
18.
Fiske, J. (1982) Introduction to Communication Studies.London: Methuen.
19.
Fiske, J. (1987) Television Culture.London: Methuen.
20.
Fiske, J. and J. Hartley (1978) Reading Television.London: Methuen.
Gitlin, T. (1980) The Whole World Is Watching.Berkeley: University of California Press.
23.
Glasgow University Media Group (1976) Bad News.London: Routledge & Kegan Paul.
24.
Glasgow University Media Group (1980) More Bad News.London: Routledge & Kegan Paul.
25.
Glasgow University Media Group (1982) Really Bad News. Writers and Readers.
26.
Gombrich, E.H. (1960) Art and Illusion: A Study in the Psychology of Pictorial Representation.London: Phaidon.
27.
Hall, S. (1977) `Culture, the Media and the “Ideological Effect” ', pp. 315-48 in J. Curranet al. (eds), Mass Communication and Society.London: Edward Arnold.
28.
Hall, S. (1980) Culture, Media, Language.London: Hutchinson.
29.
Hutcheon, L. (1980) Narcissistic Narrative: The Metafictional Paradox.Waterloo: Wilfrid Laurier University Press.
30.
Iser, W. (1978) The Act of Reading: A Theory of Aesthetic Response.Baltimore: Johns Hopkins University Press.
31.
Katz, E. (1987) `Communication Research Since Lazarsfeld', Public Opinion Quarterly, 51: S25-S-45, 25-45.
32.
Katz, E. (1988) Working papers for an international symposium on `Future Directions in Television News Research: Content, Cognition and Control'.Jerusalem: Communication Institute, The Hebrew University.
33.
Katz, E. and D. Dayan (1985) `Media Events: On the Experience of Not Being There', Religion, 15: 305-14.
34.
Leach, E. (1976) Culture and Communication.Cambridge: Cambridge University Press.
35.
Loshitzky, Y. (1987) `The Radical Aspect of Self-reflexive Cinema', PhD dissertation. Bloomington: Indiana University.
36.
Lukács, G. (1971) Critical Realism and Socialist Realism', pp. 93-135 in Realism in Our Time.New York: Harper Torchbooks.
37.
McLuhan, M. (1964) Understanding Media.London: Routledge & Kegan Paul.
38.
Morse, M. (1986) `The Television News Personality and Credibility: Reflections on the News in Transition', pp. 55-79 in T. Modleski (ed.), Critical Studies in Entertainment.Bloomington: Indiana University Press.
39.
Newsweek (1988) `ABC's Mideast Talks', 9May: 48.
40.
Nichols, B. (1981) Ideology and the Image: Social Representation in the Cinema and Other Media.Bloomington: Indiana University Press.
41.
Olson, R.S. (1987) `Meta-Television: Popular Postmodernism', Critical Studies in Mass Communication, 4: 284-300.
42.
Polan, D.B. (1978) `Brecht and the Politics of Self-Reflexive Film', Jump Cut, 17 (April): 29-32.
43.
Philo, G. (1990) Seeing and Believing: The Influence of Television.London: Routledge.
44.
Roeh, I. (1986) `Criticizing the Press Coverage of the War in Lebanon: Toward a Paradigm of News as Storytelling', Communication Yearbook, 9. Beverley Hills: Sage.
45.
Siegle, R. (1986) The Politics of Reflexivity: Narrative and the Constitutive Poetics of Culture.Baltimore: Johns Hopkins University Press.
46.
Silberman, M. (1987) `The Politics of Representation: Brecht and the Media', Theatre Journal, 39(4): 448-60.
47.
Sontag, S. (1978), On Photography.New York: Farrar, Straus & Giroux.
48.
Stam, R. (1983) `Television News and Its Spectator', in A.E. Kaplan (ed.), Regarding Television — Critical Approaches: An Anthology.American Film Institute Monograph Series, vol. 2. Frederick, MD: University Publications of America.
49.
Stam, R. (1985) Reflexivity in Film and Literature: From Don Quixote to Jean-Luc Godard.Ann Arbor: UMI Research Press.
50.
Turner, V.W. (1974) The Ritual Process.Harmondsworth: Penguin.
51.
Van Dijk, T. (1988) News Analysis: Case Studies of International and National News in the Press.Hillsdale, NJ: Lawrence Erlbaum.
52.
White, H. (1981) `On the Value of Narrativity in the Representation of Reality', in W.J.T. Mitchell (ed.), On Narrative.Chicago: University of Chicago Press.
53.
White, M. (1986) `Crossing Wavelengths: The Diegetic and Referential Imaginary of American Commercial Television', Cinema Journal, 25(2): 51-64.
