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2.
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3.
Buruma, I. (1989) `From Hirohito to Heimat', New York Review of Books, 26October: 31-45.
4.
Freud, S. (1953-74) `Mourning and Melancholia', pp. 243-58 in J. Strachey (ed.), The Standard Edition of the Complete Psychological Works of Sigmund Freud Vol. 14. London: Hogarth Press.
5.
Friedländer, S. (1984) Reflections of Nazism: an Essay on Kitsch and Death.New York: Harper and Row.
6.
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7.
Geisler, M. (1985) `Heimat and the German Left', New German Critique36: 25-66.
8.
Habermas, J. (1988) `Concerning the Public Use of History', New German Critique, Special issue on the `Historikerstreit'44: 40-50.
9.
Insdorf, A. (1989) Indelible Shadows, Film and the Holocaust.Cambridge: Cambridge University Press (second edition.)
10.
Koch, G. (1985) `How Much Naïvité Can We Afford? The New Heimat Feeling', New German Critique36: 13-16.
11.
Koch, G. (1989) `The Aesthetic Transformation of the Image of the Unimaginable: Notes on Claude Lanzmann's Shoah', October 38: 14-24.
12.
Levi, P. (1986) Moments of Reprieve.London: Sphere Books.
13.
Levi, P. (1988a) The Drowned and the Saved.New York: Summit Books.
14.
Levi, P. (1988b) The Periodic Table.London: Sphere Books.
15.
Mitscherlich, A. and M. Mitscherlich (1975) The Inability to Mourn.New York: Grove Press.
16.
New German Critique 36, autumn 1986 (special issue on Heimat).
17.
Rabinbach, A. (1988) `The Jewish Question in the German Question', New German Critique44.
18.
Rentschler, E. (1985) `The Use and Abuse of Memory: New German Film and the Discourse of Bitburg', New German Critique36: 67-90.
19.
Rentschler, E. (ed.) (1986) German Film and Literature.London: Methuen.
20.
Rentschler, E. (ed.) (1988) West German Filmmakers on Film. Visions and Voices.New York and London: Holmes and Meier.
21.
Rosenfeld, A (1985) Imagining Hitler.Bloomington, IN: Indiana University Press.
22.
Schneider, P. (1987) `Hitler's Shadow: On Being a Self-Conscious German', Harper's Magazine September.
23.
White, H. (1987) The Content of the Form, Narrative Discourse and Historical Representation.Baltimore and London: The Johns Hopkins University Press.
