Art and reproduction: some aspects of the relations between painters and engravers in London 1760-1850

Adhémar, Jean (1964) Graphic Art of the Eighteenth Century.

Anon. (1770) Sculptura Historico-Technica: or, the History and Art of Engraving, 4th edition.

Anon. [Maberly, J.] (1844) The Print Collector: and Introduction to the Knowledge Necessary for Forming a Collection of Ancient Prints.

Antal, Frederick (1948) Florentine Painting and Its Social Background.

Atkinson, Thomas (1736) A Conference Between a Painter and an Engraver.

Beckett, R.B. (ed.) (1966) `Patrons, Dealers and Fellow Artists', John Constable's Correspondence, vol. 4, Suffolk Records Society.

Berger, J. (1972) Ways of Seeing. BBC/Penguin Books.

Bernstein, B. (1975) `Ritual in Education', Class, Codes and Control.

Booth, Charles (1903) Life and Labour of the People in London, Second Series: Industry, vol.4.

Bourdieu, P. (1980) `The Production of Belief: Contribution to an Economy of Symbolic Goods', Media, Culture and Society, 2(3).

Clark, T.J. (1974) `The Conditions of Artistic Creation', The Times Literary Supplement, 24 May.

Dimaggio, Paul (1982) `Cultural Entrepreneurship in Nineteenth-Century Boston', Media, Culture and Society, 4(1 & 4).

Eastlake, C. (1872) Hints on Household Taste in Furniture, Upholstery and Other Details.

Edwards, Edward (1808) Anecdotes of Painters, Reprinted Cornmarket Press, 1970.

Eisenstein, Elizabeth (1979) The Printing Press as an Agent of Change, Cambridge University Press.

Evelyn, John (1905) Sculptura; or the History and Art of Chalcography. (First published 1662.)

Fielding, T.H. (1841) The Art of Engraving with the Various Modes of Operation.

Fox, Celina (1976) `The Engravers' Battle for Professional Recognition in Early Nineteenth Century London', The London Journal, 2(1).

Fuller, P. (1980) Beyond the Crisis in Art, Readers and Writers Publishers Cooperative.

Ginzburg, Carlo (1980) `Morelli, Freud and Sherlock Holmes: Clues and Scientific Method', History Workshop, 9.

Godfrey, R.T. (1978) Printmaking in Britain. Phaidon Press.

Gray, Basil (1937) The English Print.

Greig, James (ed.) (1922-8) The Farington Diary, 8 vols. (This is the edition consulted unless otherwise indicated.)

Harris, E.M. (1968, 1969, 1970) `Experimental Graphic Processes in England 1800-1859', Journal of the Printing Historical Society, nos 4, 5 and 6.

Hauser, A. (1962) The Social History of Art, 4 vols, Routledge and Kegan Paul.

Holt, E.G. (1957) A Documentary History of Art, vol. 1, The Middle Ages and the Renaissance. New York: Doubleday.

Hutchinson, Sydney C. (1962) `The Royal Academy Schools 1760-1830', Walpole Society (1960-2).

Hutchinson, Sidney C. (1968) The History of the Royal Academy. Chapman & Hall.

Ivins, William M. (1953) Prints and Visual Communication. Routledge & Kegan Paul.

Jones, Gareth S. (1976) Outcast London. Peregrine Books.

Keynes, G. (ed.) (1966) The Complete Writings of William Blake.

Kristeller, P.O. (1951-2) `The Modern System of the Arts: A Study in the History of Aesthetics', The Journal of the History of Ideas, 12: 496-527 and 13: 17-46.

Landseer, John (1807) Lectures on the Art of Engraving.

Levis, H.C. (1912) A Descriptive Bibliography of the Most Important Books in the English Language Relating to the Art and History of Engraving and the Collecting of Prints.

Lilien, Otto M. (1957) History of Industrial Gravure Printing Up to 1900. Lilien.

Lippincot, Louise (1983) Selling Art in Georgian London. Yale University Press.

Martindale, A. (1972) The Rise of the Artist. Thames & Hudson.

Meisel, Martin (1983) Realizations. Princeton University Press.

Morris, William (1936) `Artist and Artisan: As an Artist Sees It' in May Morris , William Morris: Artist, Writer, Socialist.

Pevsner, N. (1940) Academies of Art, Past and Present.

Pollock, G. (1980) `Artists, Mythologies and Media — Genius, Madness and Art History', Screen, 21 (3).

Pye, John (1845) Patronage of British Art.

Raimbach, M.T.S. (ed.) (1843) Memoirs and Recollections of the Late Abraham Raimbach, Esq.

Redgrave, F.M. (1891) Richard Redgrave, A Memoir Compiled from His Diary.

Robertson, David (1978) Sir Charles Eastlake and the Victorian Art World. Princeton University Press.

Ryder, Judith and Silver, Harold (1970) Modern English Society. 1st ed., Methuen.

Sandby, W. (1862) The History of the Royal Academy of Arts, 2 vols.

Scharf, A. (1968) Art and Photography. Allen Lane , The Penguin Press.

Shils, Edward (1981) Tradition. Faber & Faber.

Strutt, Joseph (1785) A Biographical Dictionary; Containing an Historical Account of All the Engravers.

Thompson, E.P. (1968) The Making of the English Working Class. Penguin Books.

Wolff, Janet (1981) The Social Production of Art. Macmillan.