The contemporary dynamics of mass communication necessitate a reassessment of the received notions of audience labor. To that end this article revisits Dallas Smythe’s seminal audience commodity theory through the lens of a two-sided class analysis. A number of his key conceptualizations are critiqued including audience power, audience measurement, media content as a free lunch, audiences as a non-durable producer’s good, the disappearance of labor power, and the revisionist history of capitalist development . At each point in the critique the contributions of various political economists who have revised and extended Smythe’s work are highlighted. The critique serves to underscore the contributions and limitations of the theory as its extension into the new media landscape is reconsidered.
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