Genre and interpretation in production: a theoretical approach

Abstract

Get full access to this article

View all access options for this article.

References

Andersen, M.B. ( 1994) ‘TV og Genre’, pp. 207-25 in P. Dahlgren (ed.) Den Mångtydiga Rutan. Stockholm: JMK.

Bruun, H. ( 2004) Daytime talkshows i Danmark. Århus : Modtryk.

Bruun, H. ( 2006) ‘Politisk og social selvrefleksion’, CFJE/UPDATE knowledge base, URL (consulted December 2008): http://www.cfje.dk/cfje/vidbase.nsf

Bruun, H. ( 2007) ‘Satire as Cross-media Entertainment for Public Service Media’, pp. 187-98 in G.F. Lowe and J. Bardoel (eds) From Public Service Broadcasting to Public Service Media. Göteborg: Nordicom.

Bruun, H. ( 2008) ‘Producing Television Satire - A Professional Ideology in Transition’, paper presented at Communication Policies and Culture in Europe Conference, ECREA, URL (consulted October 2008): http://www.ecrea2008barcelona.org/guide/download/1659.pdf

Caldwell, J.T. ( 2008) Production Culture. Industrial Reflexivity and Critical Practices in Film and Television. Durham: Duke University Press.

Cottle, S. (ed.) (2003) Media Oganisation and Production. London: Sage.

Cottle, S. ( 2004) ‘Producing Nature(s): On the Changing Production Ecology of Natural History TV’, Media, Culture & Society 26(1): 81-101.

Dornfeld, B. ( 1998) Producing Public Television. Princeton, NJ: Princeton University Press.

10.

Ellis, J. ( 2000) Seeing Things: Television in the Age of Uncertainty. London: I.B. Tauris.

11.

Fairclough, N. ( 1995) Media Discourse. London: Edward Arnold.

12.

Frandsen, K. ( 2007) ‘Produktionsanalyse: teoretiske og metodiske problemstillinger’ , pp. 23-54 in H. Bruun and K. Frandsen (eds) Tv-produktion - nye vilkår. Copenhagen: Forlaget Samfundslitteratur.

13.

Hagen, I. ( 1998) ‘Creation of Socio-cultural Meaning’, pp. 59-72 in B. Höijer and A. Werner (eds) Cultural Cognition: New Perspectives in Audience Theory. Göteborg: Nordicom .

14.

Höijer, B. ( 1991) Lustfylld glömska, kreativ illusion och realitetsprövning. Om publikens tankeprocesser vid tittande på fiction och fakta. Stockholm: Sverige Radio.

15.

Höijer, B. ( 1996) ‘Audiences’ Expectations on the Interpretations of Different Television Genres: A Socio-cognitive Approach’, paper presented at the IAMCR Conference, Sydney , July.

16.

Jensen, K. Bruhn (ed.) (1998) News of the World: World Cultures Look at Television News. London: Routledge.

17.

Neale, S. ( 1980) Genre. London: British Film Institute.

18.

Neale, S. ( 1999) Genre and Hollywood. London: Routledge

19.

Programkvalitet III. (2000) Copenhagen: DR.

20.

Shore, B. ( 1996) Culture in Mind: Cognition, Culture, and the Problem of Meaning. Oxford: Oxford University Press.

21.

Shore, B. ( 1998) ‘Models Theory as a Framework for Media Studies’ , pp. 7-40 in B. Höijer and A. Werner (eds) Cultural Cognition: New Perspectives in Audience Theory. Göteborg: Nordicom .

22.

Søndergaard, H. ( 2003) ‘Programfladestyring i nordisk public service-fjernsyn’ , MedieKultur 35: 5-22.

23.

Ytreberg, E. ( 1999) Allmennkringkastingens autoritet. Endringer I NRK Fjernsynets tekstproduktion 1987-1994. Oslo: Universitetet i Oslo.

24.

Ytreberg, E. ( 2000) ‘Notes on Text Production as a Field of Inquiry in Media Studies’, Nordicom Review 21: 53-62.

25.

Vestergaard, J. ( 2007) ‘Hvad er et mediesystem, og hvordan analyserer man det?’, pp. 55-80 in H. Bruun and K. Frandsen (eds) Tv-produktion - nye vilkår . Copenhagen: Forlaget Samfundslitteratur .

26.

Waldahl, R. ( 1998) ‘A Cognitive Perspective on Media Effects’ , pp. 41-58 in B. Höijer and A. Werner (eds) Cultural Cognition: New Perspectives in Audience Theory. Göteborg: Nordicom .