Elvis sings for the BBC: broadcast branding and digital media design

‘Are You Listening?’ (2006) PR Week 10 February: 25.

BBC (2006a) ‘UK Listeners Tune into 20 Million Hours of BBC Radio Online’. BBC Monitoring World Media 4 May.

BBC (2006b) ‘Creative Future - BBC Addresses Creative Challenges of On-Demand’, URL (consulted July 2008): http://www.bbc.co.uk/pressoffice/pressreleases/stories/2006/04_april/25/creative.shtml

BBC (2007a) ‘BBC Statements of Programme Policy, BBC Radio 1’, URL (consulted February 2008): http://www.bbc.co.uk/info/statements2007/radio/radio1.shtml

BBC (2007b) ‘BBC Statements of Programme Policy, BBC Radio 2’, URL (consulted February 2008): http://www.bbc.co.uk/info/statements2007/radio/radio2.shtml

Bennett, J. , (2008) ‘Television Studies Goes Digital’, Cinema Journal 47(3): 158-66.

Bolter, J.D. and R. Grusin ( 1999) Remediation: Understanding New Media. Cambridge, MA: MIT Press.

Born, G. ( 2005) Uncertain Vision: Birt, Dyke and the Reinvention of the BBC. London: Vintage.

Brownrigg, M. and P. Meech ( 2002) ‘From Fanfare to Funfair: The Changing Sound World of UK Television Idents’, Popular Music 21(3): 345-55.

Caldwell, J.T. ( 2003) ‘Second-shift Media Aesthetics: Programming, Interactivity, and User Flows’, pp. 127-44 in A. Everett and J.T. Caldwell (eds) New Media: Theories and Practices of Digitextuality. New York: Routledge.

Caldwell, J.T. ( 2006) ‘Critical Industrial Practice: Branding, Repurposing, and the Migratory Patterns of Industrial Texts’, Television & New Media 7(2): 99-134.

Caldwell, J.T. ( 2008) Production Culture: Industrial Reflexivity and Critical Practice in Film and Television. Durham, NC: Duke University Press.

Crisell, A. ( 2002) An Introductory History of British Broadcasting . London: Routledge.

Curtis, J. ( 2006) ‘Identity Crisis’, Marketing 5 April: 19.

Everett, A. ( 2003) ‘Digitextuality and Click Theory: Theses on Convergence Media in the Digital Age’, pp. 3-28 in A. Everett and J.T. Caldwell (eds) New Media: Theories and Practices of Digitextuality. New York: Routledge.

Fanthome, C. ( 2007) ‘Creating an Iconic Brand - An Account of the History, Development, Context and Significance of Channel 4’s Idents’ , Journal of Media Practice 8(3): 255-71

Gibson, O. ( 2008a) ‘BBC Revamps Catch-up Service to Help Overtake Rivals in the Digital Race’, The Guardian 26 June: 7.

Gibson, O. ( 2008b) ‘On a Different Wavelength’, Media Guardian 30 June: 1-2.

Grainge, P. ( 2008a) Brand Hollywood: Selling Entertainment in a Global Media Age. London: Routledge.

Grainge, P. ( 2008b) ‘Lost Logos: Channel 4 and the Branding of American Event Television’, pp. 101-22 in R.E. Pearson (ed.) Reading Lost. London : I.B. Tauris .

Griffiths, A. ( 2007) ‘Automatic Cinema and Illustrated Radio: Multimedia in the Museum’, pp. 69-96 in C. Acland (ed.) Residual Media. Minneapolis, MN: University of Minnesota Press.

Holdsworth, A. ( 2008) ‘"Television Resurrection": Television and Memory’ , Cinema Journal 47(3): 137-44.

Johnson, C. ( 2007) ‘Tele-branding in TVIII: The Network as Brand and the Programme as Brand’, New Review of Film and Television Studies 5(1): 5-24.

Lotz, A. ( 2007) The Television Will Be Revolutionized. New York: New York University Press.

Middleton, J. ( 2007) ‘The Audio-vision of Found-footage Film and Video’ , pp. 59-82 in R. Beebe and J. Middleton (eds) Medium Cool: Music Video from Soundies to Cellphones . Durham, NC: Duke University Press .

Murray, S. ( 2005) ‘Brand Loyalties: Rethinking Content within Global Corporate Media’, Media, Culture & Society 27(3): 415-35.

Parks, L. and M. McCartney ( 2007) ‘Elvis Goes Global: Aloha! Elvis Live Via Satellite and Music/Tourism/Television’, pp. 252-68 in R. Beebe and J. Middleton (eds) Medium Cool: Music Video from Soundies to Cellphones. Durham, NC: Duke University Press.

Red Bee Media (2005) ‘We are Pleased to Announce Our New Name’, M2 Presswire 27 October.

Red Bee Media (2007a) ‘Company Overview’, URL (consulted October 2007): http://www.redbeemedia.com

Red Bee Media (2007b) ‘Interactive Design’, URL (consulted October 2008): http://www.redbeemedia.com/interactive/index.shtml

Red Bee Media (2007c) ‘Broadcast Design’, URL (consulted October 2008): http://www.redbeemedia.com/design/index.shtml

Straw, W. ( 2007) ‘Embedded Memories’, pp. 3-15 in C. Acland (ed.) Residual Media. Minneapolis, MN: University of Minnesota Press.

Wall, D. ( 2003) ‘Policing Elvis: Legal Action and the Shaping of Post-Mortem Celebrity Culture as Contested Space’, Entertainment Law 2(3): 35-69.

Walsh, B. ( 2007) ‘Elvis is in the Building’, Boards 1 February: 36.