Character,audience agency and transmedia drama

Ang, I. (1985) Watching Dallas: Soap Opera and the Melodramatic Imagination. London: Routledge.

Atkins, B. (2003) More Than a Game: The Computer Game as Fictional Form. Manchester: Manchester University Press.

Barthes, R. (1977) Image Music Text, trans. S. Heath. London: Fontana.

Buckingham, D. (1987) Public Secrets: Eastenders and its Audience. London: BFI.

Carroll, N. (1990) The Philosophy of Horror. New York: Routledge.

Carroll, N. (2003) Engaging the Moving Image. New Haven, CT: Yale University Press.

Darley, A. (2000) Visual Digital Culture: Surface Play and Spectacle in New Media Genres. London: Routledge .

Graham, B. (1996) `Playing with Yourself: Pleasure and Interactive Art', in J. Dovey (ed.) Fractal Dreams: New Media in Social Context. London: Lawrence and Wishart Ltd.

Hall, S. (1980) `Encoding/Decoding', in S. Hall et al. (eds) Culture, Media, Language: Working Papers in Cultural Studies 1972—1979. Hutchinson: London.

Jenkins, H. (2003) `Transmedia Storytelling', Technology Review, URL (consulted August 2006): http://www.technologyreview.com/read_article.aspx?id=13052&ch=biotech

Kerr, A. , J. Kücklich and P. Brereton (2006) `New Media — New Pleasures', International Journal of Cultural Studies 9(1): 63—82.

King, G. and T. Krzywinska (2002) `Introduction: Cinema/Videogames/Interfaces' in G. King and T. Krzywinska (eds) ScreenPlay: Cinema/Videogames/Interfaces . London: Wallflower Press.

Kiousis, S. (2002) `Interactivity: A Concept Explication', New Media and Society 4(3): 355—83.

Kubey, R. (1996) `On Not Finding Media Effects: Conceptual Problems with the Notion of an “Active” Audience (with a reply to Elihu Katz)', in J. Hay , L. Grossberg and E. Wartella (eds) The Audience and its Landscape. Boulder, CO: Westview Press.

Lewis, J. (1991) The Ideological Octopus: An Exploration of Television and its Audience. London: Routledge .

Mittell, J. (2006) `Lost in an Alternate Reality', Flow 4(7), URL (consulted August 2006): http://jot.communication.utexas.edu/flow/?jot=view&id=1927

Moody, N. (1996) `Interacting with the Divine Comedy', in J. Dovey (ed.) Fractal Dreams: New Media in Social Context. London: Lawrence and Wishart Ltd.

Morley, D. (1992) Television, Audiences and Cultural Studies. London: Routledge.

Murray, J.H. (2000) Hamlet on the Holodeck: The Future of Narrative in Cyberspace. Cambridge, MA: MIT Press. (First published by The Free Press, New York, 1997.)

Nelson, R. (1997) TV Drama in Transition: Forms, Values and Cultural Change. London: Macmillan.

Newman, J. (2004) Videogames. London: Routledge.

Petrie, D. and J. Willis (eds) (1995) Television and the Household: Reports on the BFI's Audience Tracking Study. London: BFI.

Porter, M.J. , D.L. Larson , A. Harthcock and K. Berg Nellis (2002) `Re(de)fining Narrative Events: Examining Television Narrative Structure', Journal of Popular Film and Television 30(1): 23—30.

Ryan, M. (2001) Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media. Baltimore, MD: Johns Hopkins University Press.

Seiter, E. (1999) Television and New Media Audiences. Oxford: Clarendon Press.

Smith, M. (1995) Engaging Characters: Fiction, Emotion and the Cinema . Oxford: Clarendon Press.

Thomas, L. (2002) Fans, Feminisms and `Quality Media'. London: Routledge.