Media literacy,cultural proximity and TV aesthetics: why Indian soap operas work in Nepal and the Hindu diaspora

Agrawal, B. C. (1998) ‘Cultural Influence of Indian Cinema on Indian Television’, pp. 123-129, in S.R. Melkote , P. Shields and B.C. Agrawal (eds) International Satellite Broadcasting in South Asia: Political, Economic and Cultural Implications. Oxford: University Press of America.

Allen, R. C. (1995) To Be Continued: Soap Operas Around the World. New York: Routledge.

Arnheim, R. (1969) Art and Visual Perception. Berkeley, CA: University of California Press.

Barker, D. (2000) ‘Television Production Techniques as Communication’, pp. 169-182 in H. Newcomb (ed.) Television: The Critical View. New York: Oxford University Press.

Bharata, M. (1967) The Natyasastra: A Treatise on Ancient Indian Dramaturgy and Histrionics. Calcutta: Manisha Granthalaya.

Bhatia, J. (1989) ‘War by Another Means’, Far Eastern Economic Review (March): 76-77.

Bista, D. B. (1989) ‘Ramayana, Ramayana, Ramayana’, Himal 1(4): 30.

Daumal, R. (1982) Rasa or Knowledge of the Self. (L. Levi, trans.) New York: New Directions.

Fiske, J. and J. Hartley (1978) Reading Television. London: Methuen.

Ghosh, M. (1989) ‘Raaz ki baat of an oye-oye!’, Movie International, October: 37-39.

Hall, S. (1980) ‘Encoding/Decoding’, pp. 128-138 in S. Hall , D. Hobson , A. Lowe and P. Willis (eds) Culture, Media, Language. London: Hutchinson.

Ions, V. (1967) Indian Mythology. London: Hamlyn.

Katz, E. and T. Liebes (1984) ‘Once Upon a Time in Dallas’, Intermedia 12(3): 28-32.

Lewis, J. and S. Jhally (2000) ‘The Struggle Over Media Literacy’, pp. 439-450 in H. Newcomb (ed.) Television: The Critical View. New York: Oxford University Press.

Liebes, T. (1988) ‘Cultural Differences in the Retelling of Television Fiction’, Critical Studies in Mass Communication 5(4): 277-292.

Mitra, A. (1993) Television and Popular Culture in India: A Study of the Mahabharat. New Delhi: Sage.

Nordenstreng, K. and T. Varis (1974) Television Traffic: A One-way Street. Paris: UNESCO.

Nordenstreng, K. and H.I. Schiller (1979) National Sovereignty and International Communications. Norwood, NJ: Ablex Publishing Corp.

Potter, W. J. (2001) Media Literacy. Thousand Oaks, CA: Sage.

Prendergast, R. M. (1977) Film Music: A Neglected Art. New York: Norton.

Rao, V. (1989) ‘Haunting Melodies, Cracking Beats’, India Currents, November: 22, 6.

Sagar, R. (Producer) (1987) Ramayan [video].

Singhal, A. and E. Rogers (1989) ‘Prosocial Television for Development in India’, pp. 331-350 in R.E. Rice and C. Atkins (eds) Public Communication Campaigns. Beverly Hills, CA: Sage.

Straubhaar, J. D. (1991) ‘Beyond Media Imperialism: Asymmetrical Interdependence and Cultural Proximity’, Critical Studies in Mass Communication 8(1).

Straubhaar, J. D. (1997) ‘Distinguishing the Global, Regional and National Levels of World Television’, pp. 284-298 in A. Sreberny-Mohammadi , D. Winseck , J. McKenna and O. Boyd-Barrett (eds) Media in Global Context: A Reader. New York: Oxford University Press.

Sukla, A. C. (2001) Art and Representation: Contributions to Contemporary Aesthetics. Westport, CT: Praeger.

Thussu, D. K. (2000) International Communication: Continuity and Change. New York: Oxford University Press.

Tomlinson, J. (1991) Cultural Imperialism: A Critical Introduction. Baltimore, MD: Johns Hopkins University Press.

World Factbook (CIA) (2001) WWW.odci.gov/cia/publications/factbook/hp.html%23comm.

Worth, S. and J. Adair (1972) Through Navajo Eyes. Bloomington, IN: University of Indiana Press.

Zettl, H. (1973) Sight, Sound, Motion: Applied Media Aesthetics. Belmont, CA: Wadsworth.

Zettl, H. (1990) Sight, Sound, Motion: Applied Media Aesthetics. Belmont, CA: Wadsworth.

Zettl, H. (1998) ‘Contextual Media Aesthetics as the Basis for Media Literacy’, Journal of Communication 48(1): 81-95.