BronfenElisabeth. “Romancing Difference, Courting Coherence: A. S. Byatt's Possession as Postmodern Moral Fiction.”Why Literature Matters: Theories and Functions of Literature. Ed. AhrensRudiger and VolkmannLaurenz. Heidelberg: Winter, 1996. 117–34.
4.
BushDouglas. Mythology and the Renaissance Tradition in English Poetry. Rev. ed.New York: Norton, 1963. 251–97.
5.
BuxtonJackie. “‘What's Love Got to Do with It?’: Postmodernism and Possession.”English Studies in Canada22 (1996): 199–219.
6.
ByattA. S.Possession: A Romance. New York: Random, 1990.
7.
ByattA. S.“The Reader as Writer, the Writer as Reader.” The Beall-Russell Lecture in the Humanities. Baylor University. Waco, Texas. 1 Nov. 1993.
8.
ChinnNancy. “I Am My Own Riddle'—A. S. Byatt's Christabel LaMotte: Emily Dickinson and Melusina.”Papers on Language and Literature37 (2001): 179–204.
9.
DjordjevicIvana. “In the Footsteps of Giambattista Vico: Patterns of Signification in A. S. Byatt's Possession.”Anglia: Zeitschrift für Englische Philologie115 (1997): 44–83.
10.
FlegelMonica. “Enchanted Readings and Fairy Tale Endings in A. S. Byatt's Possession.”English Studies in Canada24 (1998): 413–30.
11.
GallagherPhilip. “Paradise Lost and the Greek Theogony.”English Literary Renaissance9 (1979): 121–48.
12.
GilbertSandra, and GubarSusan. “Milton's Bogey: Patriarchal Poetry and Women Readers.”The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven: Yale UP, 1979. 187–212.
13.
GitzenJulian. “A. S. Byatt's Self-Mirroring Art.”Critique36 (1995): 83–95.
14.
HughesMerritt Y.Ten Perspectives on Milton. New Haven: Yale UP, 1965.
15.
KellyKathleen Coyne. “‘No—I Am Out—I Am Out of My Tower and My Wits’: The Lady of Shalott in A. S. Byatt's Possession.”On Arthurian Women: Essays in Memory of Maureen Fries. Ed. WheelerBonnie. Dallas: Scriptorium, 2001. 283–94.
16.
MiltonJohn. John Milton: Complete Poems and Major Prose. Ed. HughesMerritt Y., Upper Saddle River (NJ): Prentice, 1957.
17.
MorseDeborah Denenholz. “Crossing the Boundaries: The Female Artist and the Sacred Word in A. S. Byatt's Possession.”British Women Writing Fiction. Ed. WerlockAbby H. P., Tuscaloosa: U of Alabama P, 2000. 148–74.
18.
RothsteinMervyn. “Best Seller Breaks Rule on Crossing the Atlantic.”New York Times 31 Jan. 1991: C17, 22.
19.
SabineMaureen. “‘Thou Art the Best of Mee’: A. S. Byatt's Possession and the Literary Possession of Donne.”John Donne Journal14 (1995): 127–48.
20.
SanchezVictoria. “A. S. Byatt's Possession: A Fairy Tale Romance.”Southern Folklore52 (1995): 33–52.
21.
ShiffmanAdrienne. ‘“Burn What They Should Not See’: The Private Journal as Public Text in A. S. Byatt's Possession.”Tulsa Studies in Women's Literature20 (2001): 93–106.
22.
ShillerDana. “The Redemptive Past in the Neo-Victorian Novel.”Studies in the Novel29 (1997): 538–60.
23.
ShinnThelma. ‘“What's in a Word?’: Possessing A. S. Byatt's Metonymic Novel.”Papers on Language and Literature31 (1995): 164–83.
24.
WalshChris. “Postmodernist Reflections: A. S. Byatt's Possession.”Theme Parks, Rainforests and Sprouting Wastelands: European Essays on Theory and Performance in Contemporary British Fiction. Ed. ToddRichard and FloraLuisa. Amsterdam: Rodopi, 2000. 185–94.
25.
WebbCaroline. “History through Metaphor: Woolf's Orlando and Byatt's Possession: A Romance.”Virginia Woolf: Emerging Perspectives. Ed. HusseyMark and NeverowVara. New York: Pace UP, 1994. 182–88.
26.
YelinLouise. “Cultural Cartography: A. S. Byatt's Possession and the Politics of Victorian Studies.”Victorian Newsletter81 (1992): 38–41.