Abstract
This article relates Colossian vocabulary, motifs and theological themes to the cultural situation of the cult of the emperor. The author’s language and conceptualization of reconciliation as a cosmic and earthly peace (Col.1.15-23) reflects an imperial backdrop and utilizes civic vocabulary typical of Greek and Roman treatments of concord. His representation of Jesus’ death as a Roman triumph (2.15), and the incorporation of all humankind—including barbarians and Scythians—in a trans-ethnic unity (3.11) similarly reflects the geopolitical notions of a worldwide Roman Empire. The imperial imprint on the Household Code (3.18-4.1) is recognizable through attention to numismatic representations of Nero and his consort enjoying a divinely appointed familial concord. Though used by court theologians like Eusebius of Caesarea to legitimate a Christian application of Empire, the letter may be read as a destabilization of Empire inasmuch as it derives imperial-sounding ideals from the crucifixion of Jesus.
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