Inspired by Migraine: Sarah Raphael's ‘Strip!’ Paintings

Oster G. Phosphenes. Sci Am 1970; 222: 82–7

Hall J. Artist of the month: Sarah Raphael. Tatler 1998; 293(No. 10): 70

Motion A. Introduction. In: Raphael S. , Strip! London: Marlborough Fine Art (London) Ltd, 1998

Greig G. Empty speech bubbles. Sarah Raphael's surprising foray into abstraction marks an about-turn by an artist easily bored by standing still. Modern Painters 1998; 11(No. 4): 82–4

Fuller G.N. , Gale M.V. Migraine aura as artistic inspiration. BMJ 1988; 297: 1670–2

Podoll K. , Robinson D. , Nicola U. The migraine of Giorgio de Chirico—Part I: History of illness. Neurol Psychiat Brain Res 2001; 9: 139–56

Podoll K. , Robinson D. Migraine experiences as artistic inspiration in a contemporary artist. J R Soc Med 2000; 93: 263–5

Podoll K. , Robinson D. Visual migraine aura as source of artistic inspiration in professional painters. Neurol Psychiat Brain Res 2001; 9: 81–94

Gregson J. My eighteen-month migraine. The story of Sarah Raphael's pain, and her addiction to pethidine, is told in her painting. Weekend Telegraph 31 October 1998: 3

Barnes R. Sarah Raphael. Guardian 8 January 2001

Petrovic R. Painting a picture of my pain. When agonising illness struck artist Sarah Raphael, it wreaked havoc on her life, but it also transformed her work. Independent on Sunday 18 October 1998

Taylor J.R. Sarah Raphael. Talented painter whose restless urge to experiment took her from portraits and landscapes to patchworks of pure colour in an all too short career. Times 17 January 2001: 23

International Headache Society. Classification and diagnostic criteria for headache disorders, cranial neuralgias and facial pain. Cephalalgia 1988; 8(suppl 7): 1–96

Vick R.M. , Sexton-Radek K. Interplay of art making practices and migraine headache pain experience. Headache Quart 1999; 10: 287–91

Gowers W.R. Subjective visual sensations. Trans Ophthalmol Soc UK 1895; 15: 1–38

Boyd W. Sarah Raphael. In: Raphael S. , Desert Paintings and other Recent Work. London and Cambridge: Agnew's and the Fitzwilliam Museum, 1995