Cultural Articulation in the Chinese Countryside,1937-1947

Chao, Wei-Pang (1944) "Yang-ko. The rural theater in Ting-hsien, Hopei ." Folklore Studies 3 (Beijing): 17-38.

Ding Fan and Yu Fu (1950) Zenyang niu yangge (How to Dance Yangge. Beijing: Renmin chubanshe .

Ding Ling (1950a) Shaanbei fengguang (Scenes of North Shaanxi. Beijing: Renmin chubanshe.

Ding Ling (1950b) "Zhishifenzi xiaxiang zhong de wenti" (Problems in intellecturals in going down to the villages, pp. 57-74 in Lin Dongbai (1950).

Dolby, William (1976) A History of Chinese Drama. London: Paul Elek.

Fagen, Richard E. (1969) The Transformation of Political Culture in Cuba . Stanford: Stanford Univ. Press.

Feuerwerker, Yi-Tsi Mei (1981) Ding Ling's Fiction: Ideology and Narrative in Modern Chinese Literature. Cambridge: Harvard Univ. Press.

Gamble, Sidney D. (1970) Chinese Village Plays From the Ting Hsien Region . Amsterdam: Philo.

Gates, H. and R. Weller [eds.] (1987) Symposium on hegemony and Chinese folk ideologies . Modern China, 13, 1 and 13, 3.

Gu Wen ( 1949) Yangge yu yaogu (Yangge and Yaogu . Shanghai: Wenyu.

Holm, D. (1980) "Hua Guofeng and the village drama movement in the north-west Shanxi base area, 1943-45." China Q. 84: 669-694.

Holm, D. (1984) "Folk art as propaganda: The yangge movement in Yan'an," pp. 3-35 in Bonnie S. McDougall (ed.), Popular Chinese Literature and Performing Arts in the People's Republic of China, 1949-1979. Berkeley: Univ. of California Press.

Hong Shen (1948) Kangzhan shi nian lai Zhongguo de xiju yundong yu jiaoyu (China's Drama Movement and Education in Ten Years of the Resistance War. Shanghai: Zhonghua shuju.

Hrdlickova, V. (1965) "The professional training of Chinese storytellers and the storytellers' guilds." Archiv Orientalni 33 (Prague): 225-248.

Hu Feng [ed.] (1941) Minzu xingshi taolunji ( Discussions on National Form. Chongqing: Huazhong tushu gongsi.

Huang Mei [ed.] (1949) Nongcun xin wenyi yundong de kaizhan (Development of the Rural New Culture Movement . Wuhan: Wuhan renmin yishu.

Huazhong wenhua xiehui [Central China Culture Association] [comp.] (1946) Dazhong wenyi de lilun he shiyan (Theory and Experiment in Mass Literature and Art. n.p.: Huazhong xinhua shudian.

Hung, Chang-Tai (1985) Going to the People: Chinese Intellectuals and Folk Literature, 1918-1937. Cambridge: Harvard Univ. Press.

Jia Zhi ( 1963) Minjian wenxue lunji (Essays on Folk Literature . Beijing: Zuojia shuju.

Johnson, David , Andrew J. Nathan , and Evelyn S. Rawski [eds.] (1985) Popular Culture in Late Imperial China. Berkeley: Univ. of California Press.

Judd, E. (1981) "New yangge: the case of 'a worthy sister-in-law .'" Chinoperl Papers 10:167-186.

Ke Zhongping (1941) "Jieshao 'Cha lutiao' bing lun chuangzao xinde minzu geju" (Introducing "Checking the Travel Pass," with comments on creating new national musical drama, pp. 58-65 in Hu Feng (1941).

Ke Zhongping (1949) "Shaanbei gaizao shuoshu" (. Reforming storytelling in north Shaanxi Wenyi bao 1: 11.

Kealiinohomoku, J. (1979) "Culture change: functional and dysfunctional expressions of dance as a form of affective culture," in John Blacking and Joann W. Kealiinohomuku (eds.) The Performing Arts. Music and Dance. The Hague: Mouton.

Lin Dongbai [ed.] (1950) Tudi geming yu wenyi chuangzuo (The Land Revolution and Literary and Artistic Creation . Shanghai: Xinhua shudian Huadong zong fendian.

Mao Zedong (1940) "Xin minzhuzhuyi" (On new democracy, pp. 147-206 in Mao Zedong ji (The Collected Works of Mao Zedong, vol. 7.

Mao Zedong (1942) "Zai Yan'an wenyi zuotanhui shang de jianghua" (Talks at the Yan'an forum on art and literature, pp. 111-148 in Mao Zedong ji (The Collected Works of Mao Zedong, vol. 8.

Mao Zedong (1967) On Literature and Art. 3rd edition. Beijing: Foreign Languages Press.

Mao Zedong (1976) Mao Zedong ji (The Collected Works of Mao Zedong . 10 vols. Tokyo: Uchiyama shobo.

Moy, C. ( 1952) "Communist China's use of the yangge," Papers on China (Harvard), 6: 112-148.

Munro, Donald J. (1977) The Concept of Man in Contemporary China. Ann Arbor: Univ. of Michigan Press.

Pickowicz, P. (1977) "Ch'u Ch'iu-pai and the Chinese Marxist conception of revolutionary popular literature and art." China Q. 70: 296-314.

Qi Wu ( 1959) Yige geming genjudi de chengzhang. Kangri zhanzheng he jiefang zhanzheng de Jin-Ji-Lu-Yu bianqu gaikuang (The Growth of a Revolutionary Base. An Outline of the Shanxi-Hebei-Shandong-Henan Border Region in the Resistance War and Liberation War. Beijing: Renmin chubanshe.

Qu Qiubai (1953) Qu Oiubai wenji (Collected Works of Qu Qiubai, vol. 2. Beijing : Renmin wenxue.

Scott, J. (1977) "Protest and profanation: agrarian revolt and the little tradition." Theory and Society 4: 1-38, 211-246.

SHAKEFU (1959) "Huabei nongcun xiju yundong he minjian yishu gaizao gongzuo" (The work of the rural drama movement and reform of folk art in north China, pp. 151-162 in Beijing shifan daxue Zhongwenxi xiandai wenxue gaige xiaozu (ed.) Zhongguo xiandai wenxueshi cankao zilao (Reference Material on the History of Contemporary Chinese Literature , vol. 2. Beijing: Gaodeng jiaoyu.

Shu Fei ( 1945) "Shehuo de jiu xingshi he xin huodong" (The old form and new activities of shehuo. Jiefang ribao 18 (February). Yan'an.

Singer, Milton (1972) When a Great Tradition Modernises: An Anthropological Approach to Indian Civilization. London: Pall Mall.

Smith, Arthur H. (1970) Village Life in China. Boston : Little, Brown.

Thaxton, Ralph (1983) China Turned Rightside Up: Revolutionary Legitimacy in the Peasant World. New Haven: Yale Univ. Press.

Wang Yu ( 1950) Zenyang kaizhan nongcun wenyu huodong ( How to Develop Rural Recreational Activities. Shanghai : Xinhua shudian huadong zong fendian.

Ward, B. (1976) "Readers and audiences: An exploration of the spread of traditional Chinese culture," pp. 181-203 in Rawi Jain (ed.) Text and Context. n.p.: Association of Social Anthropologists.

Ward, B. (1979) "Not merely players: drama, art and ritual in traditional China." Man (N.S.) 14: 18-39.

Xiong Foxi (1936) Xiju dazhonghua zhi shiyan (Experiments in the Popularization of Drama. n.p.: Zhengzhong shudian.

Zhang Geng (1941) "Xiju minzuhua yu jiuju xiandaihua" (The nationalization of opera and the modernization of old drama, pp. 66-85 in Hu Feng (1941).

Zhang Geng [ed.] (1947) Yanggeju xuanji (Selected Yangge Dramas, vol. 3. n.p.: Guimusi dongbei shudian.

Zhang Geng (1949) Yangge yu xin geju (Yangge and New Musical Drama . Dalian: Minzhong shuju.

Zhang Geng (1951) Xin geju lunwen ji (Collected Essays on New Musical Drama. Beijing: Zhongyang xiju xueyuan jiaoyuchu.

Zhang Geng [ed.] (1977) Yanggeju xuan (Selected Yangge Dramas. Beijing: Renmin chubanshe.

Zhao Shuli (1980) Rhymes of Li Youcai and Other Stories. Trans. by Sidney Shapiro. 5th edition. Beijing: Foreign Languages Press.

Zhou Erfu (1945) "Renmin wenhua de shidai" (The age of people's culture, pp. 29-66 in Mao Zedong et al. , Kaizhan da guimo de qunzhong wenjiao yundong (Develop a Large-scale Mass Culture and Education Movement (1947). Zhongguo chubanshe .

Zhou Yang (1946) "Biaoxian xin de qunzhong de shidai" (Expressions of the age of the new masses, pp. 13-26 in Huazhong Wenhua Xiehui ( 1946).

Zhou Yang , Xiao San , Ai Qing , et al. (1947) Minjian yishu he yiren ( Folk Art and Artists . n.p.: Dongbei shudian.