ABBAS, ACKBAR (1994) “Building on disappearance: Hong Kong architecture and the city.”Public Culture6, 4: 441-459.
2.
ABBAS, ACKBAR (1996) Hong Kong: Culture and the Politics of Disappearance. Minneapolis: Univ. of Minnesota Press.
3.
ABBAS, ACKBAR (1997) “Hong Kong: other histories, other politics.”Public Culture9, 3: 293-313.
4.
ADORNO, THEODORE (1991) “Culture industry reconsidered,” pp. 85-92 in J. M. Bernstein (ed.), The Culture Industry: Selected Essays on Mass Culture. London: Routledge Kegan Paul.
5.
APPADURAI, ARJUN (1986) “Introduction: commodities and the politics of value,” in Arjun Appadurai (ed.), The Social Life of Things: Commodities in Cultural Perspective. Cambridge, UK: Cambridge Univ. Press.
6.
BAUDRILLARD, JEAN (1983a) In the Shadow of the Silent Majorities. Paul Foss, John Johnston, and Paul Patton (trans.). New York: Semiotext(e).
7.
BAUDRILLARD, JEAN (1983b) Simulations. Paul Foss, John Johnston, and Paul Patton (trans.). New York: Semiotext(e).
8.
BAUDRILLARD, JEAN (1988) “Consumer society,” Jacques Mourrain (trans.), pp. 29-56 in Mark Poster (ed.), Jean Baudrillard: Selected Writings. Oxford, UK: Polity.
9.
BAUDRILLARD, JEAN (1994) The Illusion of the End. Chris Turner (trans.). Cambridge, UK: Polity.
10.
BAUMAN, ZYGMUNT (1987) Legislators and Interpreters. Cambridge, UK: Polity.
11.
BENJAMIN, WALTER (1992) “The work of art in the age of mechanical reproduction,” pp. 211-244 in Hannah Arendt (ed.), Illuminations. Harry Zohn (trans.). London: Fontana.
12.
BOURDIEU, PIERRE (1984) Distinction: A Social Critique of the Judgement of Taste. Richard Nice (trans.). London: Routledge Kegan Paul.
13.
BREWER, J. and R. PORTER [eds.] (1993) Consumption and the World of Goods. London: Routledge Kegan Paul.
14.
CAMPBELL, COLIN (1987) The Romantic Ethic and the Spirit of Modern Consumerism. Oxford, UK: Blackwell.
15.
CAMPBELL, COLIN (1995) “The sociology of consumption,” pp. 96-126 in Daniel Miller (ed.), Acknowledging Consumption: A Review of New Studies. London: Routledge Kegan Paul.
16.
Cantonese Opera Monthly (1994) “Jinggao duzhe, shun zhi ge jutuan banzhu” (Respectfully warning readers and all impresarios). Yueju quyi yuekan (Cantonese Opera Monthly)10 (Jan.): 7.
17.
CHAN, SAU-YAN (1991) Improvisation in a Ritual Context: The Music of Cantonese Opera. Hong Kong: Chinese Univ. Press.
18.
CHEN FEINONG (1982) Yueju liushi nian: dacheng zazhi liancai (Sixty years of Cantonese opera: articles from Dai Sing Magazine). Hong Kong: Zhongcheng pai zi zhi zi gongsi.
19.
CHUN, ALLEN (1996) “Discourses of identity in the changing spaces of public culture in Taiwan, Hong Kong and Singapore.”Theory, Culture & Society13, 1: 51-75.
20.
DOUGLAS, MARY and BARON ISHERWOOD (1979) The World of Goods. London: Penguin.
21.
DU GAY, PAUL (1996) Consumption and Identity at Work. London: Sage.
22.
FEATHERSTONE, MICHAEL (1991) Consumer Culture and Postmodernism. London: Sage.
23.
FERGUSON, HARVIE (1990) The Science of Pleasure: Cosmos and Psyche in the Bourgeois World View. London: Routledge Kegan Paul.
24.
FISKE, JOHN (1989) Understanding Popular Culture. London: Routledge Kegan Paul.
25.
GORZ, A. (1965) “Work and consumption,” in P. Anderson and R. Blackburn (eds.), Towards Socialism. Harmondsworth, UK: Penguin.
26.
HABERMAS, JURGEN (1989) The Structural Transformation of the Public Sphere. Thomas Burger (trans.). Cambridge, UK: Polity.
27.
HARVEY, DAVID (1990) The Condition of Postmodernity. Oxford, UK: Blackwell.
28.
HEBDIGE, DICK (1979) Subculture: The Meaning of Style. London: Methuen.
29.
HEBDIGE, DICK (1988) Hiding in the Light. London: Routledge Kegan Paul.
30.
HORKHEIMER, MAX and THEODORE ADORNO (1972) “The culture industry: enlightenment as mass deception,” pp. 120-167 in Dialectic of Enlightenment. John Cumming (trans.). New York: Herder & Herder.
31.
JAMESON, FREDERIC (1991) Postmodernism or the Cultural Logic of Late Capitalism. London: Verso.
32.
LAI BAIQIANG (1993) Xue Juexian yishu chun qiu (The spring and autumn of Sit Kok-sin’s art). Shanghai: Shanghai Wenyi Chubanshe.
33.
LASCH, SCOTT and JOHN URRY (1987) The End of Organised Capitalism. Cambridge, UK: Cambridge Univ. Press.
34.
LATHAM, KEVIN (1996) “Cantonese opera in Hong Kong: an anthropological investigation of practices of appreciation and performance in the early 1990s.” Ph.D. diss., Univ. of London.
35.
LATHAM, KEVIN (forthcoming) Performing Knowledge: Audiences, Ethnography and Cantonese Opera in Hong Kong. Richmond, UK: Curzon.
36.
LAU, SIU-KAI and KUAN HSIN-CHI (1988) The Ethos of the Hong Kong Chinese. Hong Kong: Chinese Univ. Press.
37.
LEUNG PING-KWAN (1995) Xianggang wenhua (Hong Kong culture). Hong Kong: Hong Kong Arts Centre.
38.
LEWIS, REINA (1997) “Looking good: the lesbian gaze and fashion imagery.”Feminist Review55:92-109.
39.
LI, CHEUK-TO (1987a) “A director speaks: Li Tie on opera films,” in The 11th Hong Kong International Film Festival: Cantonese Opera Film Retrospective. Hong Kong: Hong Kong Urban Council.
40.
LI, CHEUK-TO (1987b) “Introduction,” in The 11th Hong Kong International Film Festival: Cantonese Opera Film Retrospective. Hong Kong: Hong Kong Urban Council.
41.
LI YUANKE (1986) Xi ji ren lung chu. Hong Kong: Xianggang zhoukan chubanshe youxian gongsi.
42.
LILLEY, ROSANNA (1993) “Claiming identity: film and television in Hongkong.”History & Anthropology6, 2-3: 261-292.
43.
LILLEY, ROSANNA (1998) Staging Hong Kong: Gender and Performance in Transition. Richmond, UK: Curzon.
44.
MARCUSE, HERBERT (1964) One-Dimensional Man. Harmondsworth, UK: Penguin.
45.
MILLER, DANIEL (1987) Material Culture and Mass Consumption. Oxford, UK: Blackwell.
46.
MILLER, DANIEL [ed.] (1995a) Acknowledging Consumption: A Review of New Studies. London: Routledge Kegan Paul.
47.
MILLER, DANIEL (1995b) “Consumption as the vanguard of history,” pp. 1-57 in Daniel Miller (ed.), Acknowledging Consumption: A Review of New Studies. London: Routledge Kegan Paul.
48.
MORLEY, DAVID (1989) “Changing paradigms in audience studies,” in E. Seiter, Hans Borchers, Gabriele Kreutzner, and Eva-Marie Warth (eds.), Remote Control: Television, Audiences & Cultural Power. London: Routledge Kegan Paul.
49.
MORLEY, DAVID (1992) Television, Audiences & Cultural Studies. London: Routledge Kegan Paul.
50.
MORLEY, DAVID (1995) “Theories of consumption in media studies,” in Daniel Miller (ed.), Acknowledging Consumption: A Review of New Studies. London: Routledge Kegan Paul.
51.
OU-YANG SHAN [ed.] (1986) Xue Juexian jinian te kan (A special memorial publication for Sit Kok-sin). Hong Kong: Jinian zhaoming yueju yishujia Xue Juexian shishi sanshi zhounian choubei weiyuanhui.
52.
REYNOLDS, MARGARET (1995) “Ruggiero’s deceptions, Cherubino’s distractions,” in C. E. Blackmer and P. J. Smith (eds.), En Travesti: Women, Gender, Subversion, Opera. New York: Columbia Univ. Press.
53.
SIU, HELEN (1996) “Remade in Hong Kong: weaving into the Chinese cultural tapestry,” pp. 177-196 in Tao Tao Liu and David Faure (eds.), Unity and Diversity: Local Cultures and Identities in China. Hong Kong: Hong Kong Univ. Press.
54.
TEO, STEPHEN (1997) Hong Kong Cinema: The Extra Dimension. London: BFI.
55.
WILLIS, PAUL (1978) Profane Culture. London: Routledge Kegan Paul.
56.
WILLIS, PAUL (1990) Common Culture. Milton Keynes: Open Univ. Press.
57.
WU LIREN (1990) Ren Jianhui zhuanji (A biography of Yam Gim-Fai). Hong Kong: Xiang-gang zhoukan chubanshe youxian gongsi.
58.
YU MO-YUN (1987) “Xianggang yueju dianying fazhan shihua” (Words on the history of the development of Hong Kong Cantonese opera film), pp. 18-21 in The 11th Hong Kong International Film Festival: Cantonese Opera Film Retrospective. Hong Kong: Hong Kong Urban Council.
59.
YUNG, BELL (1989) Cantonese Opera: Performance as Creative Process. Cambridge, UK: Cambridge Univ. Press.