Chinatown Pastiche: The Chinese Village at the 1893 World’s Columbian Exposition

Abstract

In 1893, China boycotted the World’s Columbian Exposition in Chicago in protest of the Geary Act, which renewed Chinese exclusion for ten years. In the absence of an official Chinese exhibit, a group of Chinese American merchants drew upon a set of theatrical elements associated with Chinatown tours to construct the Chinese Village attraction. For two decades, Chinatown tours had functioned as a form of aggregate entertainment featuring a set of archetypes—including the Restaurant, the Joss House, the Opium Den—that advanced the idea that Chinatown was a “Yellow Peril” to white Americans. The Chinese Village took this aggregate entertainment and attached a different cultural message, one which promoted the Chinese Village as a nonthreatening experience defined by consumption, surface aesthetics, and theatrical performance. In advancing this message, the Chinese Village contributed to a cultural shift that redefined understandings of Chinese immigrants for much of the next century.