Birenbaum QuinteroMichael2019Rites, Rights and Rhythms: A Genealogy of Musical Meaning in Colombia's Black Pacific. New York: Oxford University Press.
2.
FeldmanHeidi Carolyn2006Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific. Middletown, CT.: Wesleyan University Press.
3.
GarcíaDavid F. 2017Listening for Africa: Freedom, Modernity, and the Logic of Black Music's African Origins. Durham, NC: Duke University Press.
4.
GilroyPaul1993The Black Atlantic: Modernity and Double Consciousness. Cambridge, MA: Harvard University Press.
5.
Greene, OliverN.Jr.2002“Ethnicity, modernity, and retention in the Garifuna Punta.”Black Music Research Journal22 (2): 189–216.
6.
LeónJavier F. 2006“Mass culture, commodification, and the consolidation of the Afroperuvian ‘festejo.’”Black Music Research Journal26 (2): 213–247.
7.
MooreRobin1997Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana. Pittsburgh: University of Pittsburgh Press.
8.
RitterJonathan2011“Chocolate, coconut, and honey: race, music, and the politics of hybridity in the Ecuadorian Black Pacific.”Popular Music and Society34: 571–592.
9.
VélazquezMarcel2005Las máscaras de la representación: El sujeto esclavista y las rutas del racismo en el Perú (1775–1895). Lima: UNMSM/Fondo Editorial/Banco Central de Reserva del Perú.
10.
WadePeter2000Music, Race and Nation: Música tropical in Colombia. Chicago: University of Chicago Press.