Abstract
This article urges sociologists interested in popular culture to adopt a phenomenological perspective focused upon the problem of the meaning of popular culture as world of symbolic forms. It is argued that this problem requires a conceptual apparatus that focuses directly upon culture, now seen as not wholly derivative of social structure, and a view of society as a socially constructed meaningful world rather than an external container that determines action. The proposed approach, which looks at popular culture as a documentary record of the meaningful realities built by social groups, is illustrated by application to recent American developments.
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