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2.
BarberBenjamin R., “Political Virtue and the Tragic Imagination: The Theater of Jean-Jacques Rousseau,” in McGrathM. (ed.) Artistic Vision and Public Action (New York: Marcel Dekker, 1978).
3.
BarberBenjamin R., “Rousseau and the Paradoxes of the Dramatic Imagination,” Daedalus (Summer, 1978).
4.
BarrasM.The Stage Controversy in France from Corneille to Rousseau (New York: Institute of French Studies, 1933).
5.
BermanMarshall, The Politics of Authenticity (New York: Atheneum, 1970).
6.
BloomAllan, Politics and the Arts: Rousseau's Letter to M. D'Alembert on the Theater (Ithaca, NY: Cornell University Press, 1968).
7.
EllrichRobert, Rousseau and His Reader: The Rhetorical Situation in the Major Works (Chapel Hill, NC: University of North Carolina Press, 1969).
8.
FrancePeter, Rhetoric and Truth in France: Descartes to Diderot (London: Oxford University Press, 1972).
9.
MoffatMargaret M., Rousseau et la querelle du Théatre au XVIIIe Siècle (Paris, 1930).
10.
OrensteinAlan H., The Narcissist. English stage version of Rousseau's Narcisse (unpublished).
11.
SennettRichard. The Fall of Public Man (New York: Alfred A. Knopf, 1977).
12.
StarobinskiJean, J.-J. Rousseau: La transparence et l'obstacle (Paris: Gallimard, 1971).