Attridge, D.1987. Closing Statement: Linguistics and Poetics in Retrospect. In The Linguistics of Writing, edited by N. Fabb, D. Attridge, Alan Durant, and C. MacCabe, 15-32. New York: Methuen.
2.
Austin, T.1984. Language Crafted: A Linguistic Theory of Poetic Syntax. Bloomington: Indiana University Press.
3.
Aviram, A.1994. Telling Rhythm: Body and Meaning in Poetry. Ann Arbor: University of Michigan Press.
4.
Banfield, A. 1973. Stylistic Transformations: A Study Based on the Syntax of Paradise Lost. Ph.D. thesis, University of Wisconsin.
Culler, J.1975. Structuralist Poetics. Ithaca, NY: Cornell University Press.
8.
Cureton, R. 1979 . e.e. cummings: A Study of the Poetic Use of Deviant Morphology. Poetics Today1:213-244.
9.
Cureton, R. 1980a. The Aesthetic Use of Syntax: Studies on the Syntax of the Poetry of e.e. cummings. Ph.D. thesis, University of Illinois.
10.
Cureton, R.1980b. “he danced his did”: An Analysis. Journal of Linguistics16:245-262.
11.
Cureton, R.1981a. Poetic Syntax and Aesthetic Form. Style14:182-215.
12.
Cureton, R.1981b. e.e. cummings: ACase Study of Iconic Syntax. Language and Style14:182-215.
13.
Cureton, R.1985. Poetry, Grammar, and Epistemology: The Order of Prenominal Modifers in the Poetry of e.e. cummings. Language and Style18:64-91.
14.
Cureton, R.1992. Rhythmic Phrasing in English Verse. London: Longman.
15.
Cureton, R.1993a. The Auditory Imagination and the Music of Poetry. In Literary Stylistic Studies of Modern Poetry, edited by P. Verdonk, 68-86. London: Routledge Kegan Paul.
16.
Cureton, R.1993b. Aspects of Verse Study: Linguistic Prosody, Versification, Rhythm, Verse Experience. Style4:521-529.
17.
Cureton, R.1994a. Rhythmic Cognition and Linguistic Rhythm. Journal of Literary Semantics23:220-232.
18.
Cureton, R.1994b. Rhythm and Verse Study. Language and Literature3:105-124.
19.
Cureton, R.1996a. A Response to Derek Attridge: “Beyond Metrics: Richard Cureton’s Rhythmic Phrasing in English Verse.”Poetics Today19:29-50.
20.
Cureton, R.1996b. Poetry, Language, and Literary Study: The Unfinished Tasks of Stylistics. Language and Literature21:95-112.
21.
Cureton, R.1997a. Linguistics, Stylistics, and Poetics. Language and Literature22:1-43.
22.
Cureton, R.1997b. A Disciplinary Map for Verse Study. Versification1 [Online]. Available: sizcol1.u-shizuoka-ken.ac.jp/versif/Versification.
23.
Cureton, R.1997c. Toward a Temporal Theory of Language. Journal of English Linguistics25:293-303.
24.
Cureton, R.1997d. Helen Vendler and the Music of Poetry. Versification1 [Online]. Available: sizcol1.u-shizuoka-ken.ac.jp/versif/Versification.
25.
Cureton, R. Forthcoming-a. The Concept of Rhythm: An Exercise in Cognition. Language and Style.
26.
Cureton, R. Forthcoming-b. A Temporal Theory of Poetic Syntax. Poetics Today.
27.
Cureton, R. Forthcoming-c. Temporality and Poetic Form. Journal of Literary Semantics.
28.
Cureton, R. Forthcoming-d. Telling Time: Toward a Temporal Poetics. Odense American Studies International Series.
29.
Cureton, R. Forthcoming-e. Poetic Style and Romantic Temporality: William Wordsworth’s “It Is a Beauteous Evening.”Language and Literature.
30.
Dillon, G.1975. Inversions and Deletions in English Poetry. Language and Style8:220-237.
31.
Dillon, G.1978. Language Processing and the Reading of Literature: Toward a Model of Comprehension. Bloomington: Indiana University Press.
32.
Fairley, I.1975. E. E. Cummings and Ungrammar. Searingtown, NY: Watermill.
33.
Fish, S.1980. Is There a Text in This Class?Cambridge, MA: Harvard University Press.
34.
Frye, N.1957. Anatomy of Criticism. Princeton, NJ: Princeton University Press.
35.
Frye, N.1981. The Great Code. New York: Harcourt Brace.
36.
Frye, N.1990. Words with Power. New York: Harcourt Brace.
37.
Hasan, R.1985. Linguistics, Language, and Verbal Art. Burwood, Victoria: Deakin University Press.
38.
Hollander, J.1985. Vision and Resonance. 2d ed. New Haven, CT: Yale University Press.
39.
Jakobson, R.1987. Language in Literature. Edited by Krystyna Pomorska and Stephen Rudy. Cambridge, MA: Harvard University Press.
40.
Leech, G.1969. A Linguistic Guide to English Poetry. London: Longman.
41.
Levin, S.1962. Linguistic Structures in Poetry. The Hague, the Netherlands: Mouton.
42.
Lindley, D.1985. Lyric. London: Methuen.
43.
Lotman, Y.1977. The Structure of the Artistic Text. Translated by Ronald Vroon, Slavic Contributions No. 7. Ann Arbor: University of Michigan Press.
44.
Riffaterre, M.1966. Describing Poetic Structures: Two Approaches to Baudelaire’s “Les Chats.”Yale French Studies36-37:200-242.
45.
Ross, J.1981. Robert Frost’s “Out, Out-”: AWay In. In Crossing the Boundaries in Linguistics, edited by W. Klein and W. Levelt, 265-282. Dordrecht, the Netherlands: D. Reidel.
46.
Ross, J.1982. Human Linguistics. In Contemporary Perceptions of Language: Interdisciplinary Dimensions, edited by H. Byrnes, 1-30. Washington, D.C.: Georgetown University Press.
47.
Ross, J.1991. Fog-Cat-Fog. In Cognition and the Symbolic Processes: Applied and Ecological Perspectives, edited by R. Hoffman and D. Palermo, 187-205. Hillsdale, NJ: Lawrence Erlbaum.
48.
Ross, J.1992. Our December. In Romance Linguistics: The Portuguese Context, edited by E. Koike and D. Macedo, 161-192. Westport, CT: Bergin & Garvey.
49.
Ross, J.1999. Beauty—How Hopkins pied it. Language Sciences21:237-250.
50.
Semino, E.1997.Language and World Creation in Poems and Other Texts. London: Longman.
51.
Short, M.1996. Exploring the Language of Poems, Plays and Prose. London: Longman.
52.
Sinclair, J.1972. Lines and “Lines.” In Current Trends in Stylistics, edited by B. Kachru and H. Stahlke, 251-261. Edmonton: Linguistic Research.
53.
Taylor, T. , and M. Toolan. 1996. Recent Trends in Stylistics. In The Stylistics Reader: From Roman Jakobson to the Present, edited by J. -J. Weber, 87-91. London: Edward Arnold.
54.
Van Rees, C. J.1992. Poetics. In Oxford International Encyclopedia of Linguistics, vol. 3, 234-240. New York: Oxford University Press.
55.
Vendler, H.1969. On Extended Wings: Wallace Stevens’ Longer Poems. Cambridge, MA: Harvard University Press.
56.
Vendler, H.1980. Part of Nature, Part of Us. Cambridge, MA: Harvard University Press.
57.
Vendler, H.1983. The Odes of John Keats. Cambridge, MA: Harvard University Press.
58.
Vendler, H.1984. Wallace Stevens: Words Chosen Out of Desire. Cambridge, MA: Harvard University Press.
59.
Vendler, H.1988. The Music of What Happens. Cambridge, MA: Harvard University Press.
60.
Vendler, H.1995a. Soul Says. Cambridge, MA: Harvard University Press.
61.
Vendler, H.1995b. The Breaking of Style. Cambridge, MA: Harvard University Press.
62.
Vendler, H.1997a. Poems, Poets, Poetry. Boston: St. Martin’s.
63.
Vendler, H.1997b. The Art of Shakespeare’s Sonnets. Cambridge, MA: Harvard University Press.
64.
White, H.1973. Metahistory. Baltimore: Johns Hopkins University Press.
65.
White, H.1978. Tropics of Discourse. Baltimore: John Hopkins University Press.
66.
White, H.1987. The Content of the Form. Baltimore: Johns Hopkins University Press.