This paper is based on the historiographical introduction to my book, Styles of scientific thinking in the European tradition (Gerald Duckworth, London, 1988), which contains full documentation and bibliography; cf. also CrombieA. C., “Science and the arts in the Renaissance: The search for truth and certainty, old and new”, History of science, xviii (1980), 233–46; idem, “Historical commitments of European science”, Annali del' Istituto e Museo di Storia della Scienza di Firenze, vii, part 2 (1982), 29–51; idem, “What is the history of science?”, History of European ideas, vii (1986), 21–31; idem, “Experimental science and the rational artist in early modern Europe”, Daedalus, cxv (1986), 49–74; idem, “Contingent expectation and uncertain choice: Historical contexts of arguments from probabilities” in The rational arts of living, ed. by CrombieA. C. and SiraisiN. G. (Northampton, Mass.: Smith College studies in history, 1987): The first three of these papers are included in CrombieA. C., Science, optics and music in medieval and early modern thought (Hambledon Press, London, 1988) and the last two in Historical studies in scientific thinking (ibid., 1988).
2.
FaradayMichael, Experimental researches in electricity, i (London, 1839), 515; cf. pp. 195 ff.
3.
TyndallJohn, Faraday as a discoverer (London, 1868), 53–55.
