Preface

Appadurai Arjun and Breckenridge Carol 1992. Museums are good to think: Heritage on view in India. In Karp I. , Levine S. , and Kraemer C.M. , eds, Museums and communities, pp. 34–55. Washington DC: Smithsonian Institution Press.

Asher Catherine B. and Metcalf Thomas R. eds. 1994. Perceptions of South Asia's visual past. New Delhi: American Institute of Indian Studies.

Babb Lawrence A. and Wadley Susan S. , eds. 1995. Media and the transformation of religion in South Asia. Philadelphia: University of Pennsylvania Press.

Benjamin Walter 1973. The work of art in the age of mechanical reproduction. In Benjamin Walter , Illuminations, pp. 219–53. London: Fontana.

Breckenridge Carol A. 1996. Consuming modernity: Public culture in contemporary India. Minneapolis: University of Minnesota Press.

Brosius Christiane and Butcher Melissa , eds. 1999. Image journeys: Audio-visual media and cultural change in India. New Delhi: Sage.

de Certeau Michael 1984. The practice of everyday life. Berkeley: University of California Press.

Dehejia Vidya ed. 1997. Representing the body: Gender issues in Indian art. New Delhi: Kali for Women in association with The Book Review Literary Trust.

Dwyer Rachel and Pinney Christopher , eds. 2000. Pleasure and the nation in South Asia. New Delhi: Oxford University Press.

Eck Diana 1981. Darsan: Seeing the divine image in India. Chambersburg, PA: Anima Books.

Freedberg David 1989. The power of images: Studies in the history and theory of response. Chicago: University of Chicago Press.

Gell Alfred 1998. Art and agency: An anthropological theory. Oxford: Clarendon Press.

Guha-Thakurta Tapati 1992. The making of a new ‘Indian’ art: Artists, aesthetics and nationalism in Bengal, c. 1850-1920. Cambridge: Cambridge University Press.

Larson Gerald J. , eds. 1997. Changing myths and images: Twentieth-century popular art in India. Bloomington: University Art Museum, University of Indiana.

Levin David M. ed. 1993. Modernity and the hegemony of vision. Berkeley: University of California Press.

Mirzoeff Nicholas 2000. The multiple viewpoint: Disaporic visual cultures. In Mirzoeff N. , ed., Diaspora and visual culture: Representing Africans and Jews, pp. 1–20. London: Routledge.

Mitchell W.J.T. 1994. Picture theory: Essays on visual and verbal representation. Chicago: University of Chicago Press.

Mitter Partha 1994. Art and nationalism in colonial India, 1850-1922: Occidental orientations. Cambridge: Cambridge University Press.

Pinney Christopher 1997a. Camera Indica. The social life of Indian photographs. Chicago: University of Chicago Press.

Pinney Christopher 1997b. The nation (un)pictured: Chromolithography and ‘popular’ politics in India. Critical Inquiry 23, 3: 834–67.

Sontag Susan 1977. On photography. New York: Dell.