Khajuraho’s sculptures: Conjoining sexuality and worship

Abstract

This brief article delves into the erotic sculptures of Khajuraho that have attracted the interest of laypersons and researchers across various fields. Khajuraho is perhaps unique because, as a site, it amalgamates religion, eroticism and culture. Erotic displays possess significant aesthetic value and, from this perspective, should be considered independently from their religious contexts. However, since the erotic depictions at Khajuraho are located within a sacred frame, the influence of religion on sexuality cannot be sidelined. The blending of Victorian morality with upper-caste values, however, can easily overshadow the erotic significance of these depictions, which often shifts the focus from interpreting Khajuraho’s sculptures as embodiments of pleasure and aesthetics.