This article investigates the nature of the difference between the conscious acts of a rational subject and the enigmatic worlds of dream. In particular I am concerned with situations where the dream world is represented as effectively contaminating, surprising or, in more or less severe ways, influencing the world of consciously intended objects. Beginning with Wilfred Bion's explanation of how psychotic patients project parts of their ruined emotional life into their environment through the media of sense and sensation, the article aims to raise a question about these media and their connection to dream art.
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