Abstract
The essay offers a revisionist reading of William Blake’s Visions of the Daughters of Albion in the context of the Renaissance notion of melancholia, and argues that the poem’s main female character, Oothoon, becomes the embodiment of a spiritualized concept of melancholy where imagination is equated with vision and associated with ingenium which corresponds to the Renaissance sapientia.
Get full access to this article
View all access options for this article.
