Abstract
Crime fiction is often regarded as entertainment, yet it engages questions central to theological reflection: truth, responsibility and justice. This article explores the genre as a lens through which to examine the interpretive character of Christian ministry. Drawing on narrative patterns in authors including Agatha Christie, Ian Rankin and P. D. James, it argues that both detective work and pastoral practice involve making sense of partial, contested and often self-interested accounts of human life. Engaging insights from hermeneutics, particularly the work of Paul Ricoeur, the article highlights the need to hold together suspicion and trust in the interpretation of human situations. It further suggests that crime fiction’s attentiveness to moral complexity resonates with theological accounts of sin as disordered love. Finally, it considers the consequences of truth-telling, noting that revelation unsettles as much as it resolves.
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