Abstract
In this contribution we shall address an issue of present-day usage: How ought the place for proclamation to be arranged, bearing in mind the needs of the celebration in its aspect as dramatic action, and the sign-character of the celebration's various elements? On the history of the matter I shall say nothing here; I shall be assuming it.1
See R. Pacik, “Der Ambo in der eneuerten Liturgie” in E. Renhart and A. Schnider (eds), Sursum corda. Variationenen zu einem liturgischen Motiv. Fur Philipp Harnoncourt zum 60. Geburtstag (Graz 1991) 243-54, esp. 243-5, with survey of Roman Catholic guidelines, 245-7.
Get full access to this article
View all access options for this article.